model
The BRAWL² Tournament Challenge has been announced!
It starts May 12, and ends Sept 12. Let's see what you got!
https://polycount.com/discussion/237047/the-brawl²-tournament
It starts May 12, and ends Sept 12. Let's see what you got!
https://polycount.com/discussion/237047/the-brawl²-tournament
Best Of
Re: DFAO Specular Occlusion - Alireza's Art Blog
Tip 08 - Macro color variation.
From large surfaces such as landscapes to smaller objects like rock formations. World space color variation is always the key to make things look more natural and interesting. This function gets your Albedo and outputs parameters to the material instance for you to introduce any sort of color variation to the surface at any scale, using a single RGB Texture Map.
You can download the function from here.
From large surfaces such as landscapes to smaller objects like rock formations. World space color variation is always the key to make things look more natural and interesting. This function gets your Albedo and outputs parameters to the material instance for you to introduce any sort of color variation to the surface at any scale, using a single RGB Texture Map.
You can download the function from here.
Maximum-Dev
10 ·
Re: Aztec.exe - A historical 360° experience
Hey everyone!
Glad you guys are enjoying our project so far. Let me add some of my character work to the mix. I was responsible for the whole pipeline from concept to production to rigging to MoCap setup. The rest of the team jumped on to help with animation in the end.
I used ZBrush and MODO for modeling, Substance for texturing and Maya together with Mixamo and Advanced Skeleton for rigging and animation:
Our motion capture setup consisted of 12 PlayStation Eye cameras. Tracking was done with iPi Soft and cleanup and additional animation were handled in Maya:
https://www.youtube.com/watch?v=WdAlhZLGbCg
Faceware was used for facial tracking. I created a blend shape-based face rig using Jason Osipa's Stop Staring book as a reference and set up wrinkle maps inside of Unreal Engine. It was a big help in getting quality results within the very short timeframe we had for our project:
https://www.youtube.com/watch?v=hBWE2jMiBT8
Stay tuned for our second environment post and the final video of the experience!
Glad you guys are enjoying our project so far. Let me add some of my character work to the mix. I was responsible for the whole pipeline from concept to production to rigging to MoCap setup. The rest of the team jumped on to help with animation in the end.
I used ZBrush and MODO for modeling, Substance for texturing and Maya together with Mixamo and Advanced Skeleton for rigging and animation:
Our motion capture setup consisted of 12 PlayStation Eye cameras. Tracking was done with iPi Soft and cleanup and additional animation were handled in Maya:
https://www.youtube.com/watch?v=WdAlhZLGbCgFaceware was used for facial tracking. I created a blend shape-based face rig using Jason Osipa's Stop Staring book as a reference and set up wrinkle maps inside of Unreal Engine. It was a big help in getting quality results within the very short timeframe we had for our project:
https://www.youtube.com/watch?v=hBWE2jMiBT8Stay tuned for our second environment post and the final video of the experience!
CharacterCarl
1 ·
Re: Blender Mega Thread
I just wanted to share my new addon for hair making (for $) - Hair Tool (maybe I will think of better name in future 
)
I know I it bit expensive, but I will make some discounts for black fridays. Hope u like it.
)I know I it bit expensive, but I will make some discounts for black fridays. Hope u like it.
JoseConseco
16 ·
Re: WIP - Remilia, Vampire Zombie
Heyo! I finished this today!
Thank you so much to everyone who took the time to give feedback on this! Took a good while but I'm pretty happy with the result
Learned a load about hard surface, hair and posing in doing this.
I'm calling it final, but any feedback is still much appreciated so I can keep it in mind for future projects!
Thank you so much to everyone who took the time to give feedback on this! Took a good while but I'm pretty happy with the result
Learned a load about hard surface, hair and posing in doing this.
I'm calling it final, but any feedback is still much appreciated so I can keep it in mind for future projects!
Zolizzo
12 ·
Re: Sketchbook: Manuel De Jorge
Hi everyone! finally got time to work on personal stuffs! I did a lot on experimenting the feel and look based on the awesome 2D illustration of Ray Teja I think i'm ready to teach this kind of workflow. I streamed the process and workflow on sculpting the character.
https://twitter.com/ManuelDeJorge
https://www.artstation.com/artwork/Lw5xv
https://www.twitch.tv/manueldejorge3dstuffs
Thanks for looking!
ManuelDeJorge
4 ·
New thread With my environments/critters
Wanted to start a new thread showing what I do when I'm not at my day job 
Check out more on my Artstation https://www.artstation.com/artist/tsmith3d
Check out more on my Artstation https://www.artstation.com/artist/tsmith3d
tsmith3d
4 ·
Re: Maxivz's Interactive Tools for Max
I have been playing around some more these last days. I am trying to create some tool controls that feel a bit more intuitive and "flow" a bit more if that makes any sense.
The idea is to move the mouse to the sides along with modifier keys to change values. I will add them to the main thread one I am done with them. Anyways, here's what I have:
Cylinder creation:
Inset:
Chamfer:
The idea is to move the mouse to the sides along with modifier keys to change values. I will add them to the main thread one I am done with them. Anyways, here's what I have:
Cylinder creation:
Inset:
Chamfer:
maxivz
3 ·
Re: What are you working on? 2017
My piece during my time in the creating appealing characters course with Dylan Ekren. It was a really incredible class, Dylan is an amazing teacher!
https://www.artstation.com/artwork/2VOXJ
https://www.artstation.com/artwork/2VOXJ
RitualSynergY
27 ·