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3D Enviroment Artist - Looking for work
My name is Nikki, and I am a 3D Environment Artist with 6 years of experience, specializing in stylized and semi-realistic environments. I am immediately available and open to remote, freelance, contract, or on-site roles. I have strong hands-on experience creating production-ready, optimized assets using PBR workflows,… -
3D Artist | Props / Vehicles / Weapons / Guns / Objects | Available Full-Time / Part-Time / Contract
Hi, My name is Irana, I'm a 3D Artist available for full-time, part-time, contract and freelance work. My pricing is flexible and indie-friendly — per hour, per object, per project options available. Get in touch to discuss it further. Experience and specialization in hard surface modelling, including props, weapons and… -
Re: Physically based rendering in games
Creating content based on... The name of the input? So now that we've arbitrarily changed the name of a gloss map to a roughness map (even though they do the same thing) we should flip the content as well? I think people get far too caught up in what the input names are, what you name your inputs, weather its… -
Re: Road To Vostok: no specular, no roughness, no gloss
You can check his dev blogs on Patreon. He explains he doesn't want to use PBR to distract from the core game development for now. He also says that his photo-based workflow keeps him productive. Additionally, for assets created by freelancers, he bakes down the PBR into a diffuse:… -
Re: Capone's stylized Substance Designer material practices
Sure bro, no problem :D So if I understand correctly, the top image shows only the base color texture. In that case, it has unusually a lot of shading and hack with the colors, which isn't that practical in pbr, at least in case of more realistic representation of materials, but my ones also have a lot of hack in the… -
BPR rendering issues
For those of you that are familiar with rendering with zbrush, I am having an issue related to the BPR rendering system. The top image is the preview image and the bottom image is the BPR render. I spent a long time playing with the shaders to give the skin of my model the look I wanted. However when I did a BPR render, it… -
Re: Experience with per pixel lighting?
[ QUOTE ] -do you understand howto harness the power of per pixel fall off from per pixel lights. [/ QUOTE ] You might want to get a clearer definition of what your AD is asking for here. Falloff could be the near and far distance ranges that each light's intensity ramps up/down. Not a per-pixel effect, but per-light. Or… -
Freelance 3D Artist (Open to Opportunities)
Hello Everyone My name is Tanay Mukherjee, and I’m a 3D Artist with over 4 years of hands-on experience in game development. I specialize in crafting production-ready vehicles, weapons, and environment props with a strong foundation in high-poly sculpting, low-poly modeling, and PBR texturing. My focus is on delivering… -
Re: Nack: Single-Flash 16-bit Surface Scanning. Is Photogrammetry overkill for micro-details?
How about making scans into tiled textures? Also are you looking into PBR texture elements like roughness and metalness? -
Colt .357
Heavily inspired by HL1/HL2 revolvers, this revolver isn't authentic to any real steel revolver. I cherrypicked the details I liked from various revolvys and slapped them together Marmo link: http://skins.thanez.net/357/marmoset/ Unintentionally decontrasted youtube vid: https://www.youtube.com/watch?v=slvXlb9Pps4 Fun fact…
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