Im getting back into it. Decided to stop spamming the sketch thread. I'm willing to work more on all of em, so crit away. I'm looking to overhaul my portfolio with this stuff.
think he was refering to the cuts, like the big honking circular hole, keep the whole, but you don't need to cut it into the wall, you can use an 6 or 8 sided hole and just drop the other ring into the hole looks exactly the same without all that extra polies.
No need to even have a flash-whatever going on, they would have had more time spent with the losties while they were still alive, hell, they would have avoided the whole 'dead the whole time of the flashes' BS altogether. Still got a lot of <3 for Lost though.
Yeah its getting there, you still have a lot to learn when it comes to achieving the results you want. I recommend playing around with different techniques until you get bored. Using a reference image you like you could try to 'copy' (using the term loosely) the style of paint in a very contained area. Once you feel you…
Hey everyone. I work for a studio that's been heavily reliant on outsourcing pretty much since the beginning. Now that the studio is working on growing its internal art team, we're talking about restructuring because the current format is not scalable. At the moment the art team is pretty flat, with the Art Director doing…
Hi there :) I'd add a few cons : - Dynamic subdiv's crease levels always resetting to 15, while user might not want that (I often opt for 1 or 2 depending on the density of my topology), maybe recall the latest used value or allow to store it in the preferences - Add a way to clearly set off Dynamic brush size everywhere…
That is because I've modelled them to be functional like the rest of the lights. They look funny right now since the entire assembly is marked transparent due to some material overlap with the other lights on the car at the moment. I'll have that fixed once I manually make the alpha layer in Gimp. As for the lights I made…