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Hey everyone! Welcome to the 92nd edition of the Bi-Monthly Environment Art Challenge for the months of September and October! This challenge is a way for real-time 3D artists to test their skills and create a piece of work based on concepts provided. It's open to those of all skill levels and we do our best to provide…
Hey all! Want to welcome you all to the 89th edition of the Bi-Monthly Environment Art Challenge for the months of March and April! This challenge is a way for real-time 3D artists to test their skills and create a piece of work based on concepts provided. It's open to those of all skill levels and we do our best to…
Aeon, I think a portfolio full of environments will show a much wider range of skills than a portfolio full of individual props (im generalising there). You can show that you know a lot about modularity which is really important for any game, showing you can make one set of, lets say wall pieces, and make them re-usable in…
You have four props in your portfolio. In my opinion, that is not enough to impress an employer, especially since two of your props are a barrel and a wheelbarrow. You should have some kind of an environment to house your props in. I'm assuming you want to be an environment artist. The barrel and wheelbarrow could use more…
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Hi, polycounters :) Thank you for visiting this thread and being part of the journey of this project. I'd like to share the environment I have been working on since this June in Game Art Institute Environment Artist Bootcamp (it was such a fantastic course). I want to record the progress, thoughts and what I am willing to…
Hello, everyone!! Some background about me. I'm a partially self-taught 3D Artist who specializes in Props and Environments. I followed a few study programs related to game development only for a year and then another year, but I dropped out because I didn't enjoy studying that much. Only group projects were my favorite.…
This project is based on Jourdan Tuffan's Esbatuan Architecture. I made this in order to become more comfortable working with a trim workflow and trying to reduce the amount of hand-textured assets in a scene. I heavily relied on Silke Van Der Smissen's dissertation on material layers and highly recommend it for anyone who…
Very nice, love the renders! =) The ground and the car really help with scale and the scene looks really cool. I also agree with Erics feedback on the props.