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[TOOL] Hairflow - 2D Hair-Card Grooming & Atlas Baking
https://www.youtube.com/watch?v=WE3_pqw-KNU&t=2s Hi everyone, I’ve been working on Hairflow, a specialized 2D tool designed to bridge the gap between sculpting high-fidelity hair and the tedious process of creating hair card textures for real-time engines. The philosophy is simple: Groom in 2D on a flat canvas, and bake… -
How do i create precious stones in video game style?
Hello there, I'm looking forward to create some gems in Maya like the ones in the following image: I understand that i might need to paint a texture in photoshop in order to apply it to the color/diffuse of a shader material. Anyway, i tried to tweak a blinn material or a Mia_material_x to get this look, but i was very… -
3D Model Team - Great hobby, great experience, great team!
-INTRODUCTION- Hello, I'm Heartbrake and I sale 3D models on the internet and I have decided to start a new line of 3D models with the assistance of a fully new and fresh number of 3D modelers and texture artist. This is really simple, and is known to pay well as a hobby. I have been selling 3D models on the internet for a… -
Creating Tire Tracks in Landscape Sand
I was hoping someone can help me out with this. I have an environment I have created using megascans and a quixel landscape material in UE5.1.1. I would like to create randowm tire tracks in the sand but I am not sure how to go about it. This question was asked some time ago in this forum and there were verying answers but… -
Re: Learning Blender and Texturing
Hey! Even though you have a ton of 3D modeling experience, it doesn't mean you can jump into Blender right off the bat. Knowing topology and general 3D concepts is a huge plus, but the interface here is completely different, the commands are different, and even the names of familiar functions vary. Things like working… -
melScript - in loop / create shader - connect textures
Hello everybody, I'm modifying a script I've used in the past and am running into issues. The goal is to have a for loop that creates a StingrayPBS shader, then checks the "Use Color Map" attribute. The pain point is that the "Use Color Map" attribute doesn't seem accessible until after the loop is completed. I run the… -
[For Hire] Stylized 3D Artist: Environment & Props
Hi everyone! My name is Syoma, and I’m a 29-year-old 3D artist specializing in Stylized 3D Art for games and other creative projects. I’m currently looking for exciting collaborations and projects to contribute to! With over 12 years of experience in 3D modeling, I primarily work in Cinema 4D but also use Zbrush, Substance… -
Re: [WIP] Lisbon Street - Unreal Engine 5
I love this. The execution is really strong, and the prop work and modeling are great. Overall, good job.I freaking love Lisbon and Portugal, and I’ve wandered these streets a lot, so you really captured the vibe. One thing that can elevate good work to fantastic work here is values and tonemapping. Let me visualize what I… -
Best way to create decals for trash in UT2004?help
Hey guys, I've been working on a 100 percent custom map for UT2004 called DM-Carbon. Its coming along great but I would like to use some localized details like grime and soggy flattened trash in some corners and line the edges of the floors with in in my map. I was inspired by the great detail EPIC Games achieved using… -
Which workflow is most efficient in terms of optimization when creating a level?
Hello everyone, Today I am posting to try to solve a question that I have been carrying with me for a long time, and truth be told, I would like to be able to resolve it in order to create my environments with more confidence and security, or at least shed some light on the matter. The question is related to finding the…
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