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Re: Maya RGBA SplatMap Hypershade setup and Export?
create 3 file nodes point to your diffuse 1 and 2 and the spalt map create a blend node, hook the outColor of the first diffuse file into the Color1 of the blend, the outColor of file 2 into the Color1 of the blend, than take outColorR of the spalt and hook it up to the Blender of the blend node. -
Re: Zest Recreation
I'd either pull back the metalness on a lot of meshes or really brighten up the diffuse If you're going full metal on a texture try to push the brightness on the diffuse to counter the darkening effect of the metalness (assuming you're using PBR) But yeah, some paint covered metal would be nice -
Re: [WIP] Newbie pieces
Doesn't look far off polished wood to me, n88tr's just being a harsh ass. Think there might be a tad to much purple in there, and you could do with a few lighter red highlights in the diffuse. Also introduce some scratches into the diffuse (as if the polish had been rubbed off) -
Re: Spec & ambient occlusion maps how do you make'em?
normally do very similar steps to whats been said but also just keep spec map in mind when I'm making my diffuse, so I mark up some layers to be used in spec etc. It's easier, for me, to work on spec and diffuse at the same time. -
Re: Metal Texture
It looks like a nice diffuse, but the thing with metal is that it's usually best defined with lighting. Try setting up a material in UDK/Marmoset/CryEngine for specularity and glossy reflections. I think the middle one is the better diffuse, top for gloss, and bottom for spec, but it really depends on how they're used. -
Re: The "meeting place" - rock
Very nice! only thing i can see is that you didn't make a copy of the diffuse and ps filter it into a normal map and over lay it slightly (15-25%)onto the rock normal map. This way all the diffuse little bumps give little bits of interest to the rock. -
Re: Steyr Mannlicher WIP
Get some scratches and worn edges in there man, the mat is reading a bit bland because you dont have much of that. And also, throw a bit of a gradient over the entire thing, in the diffuse and the spec. Did you render out an ambocc map? Multiply that on your diffuse and spec as well. -
Re: material editor and object work position
World position -> component mask (R+G) -> Divide by a number depending on how large the noise texture is -> plug in to the UVs of your noise texture. http://i.imgur.com/lOY8s.png Then just multiply your normal diffuse with the noise texture. Or just use the noise tex as the diffuse. -
Re: Surreal Sculpture
Update! still waaaay more to do. ie, more diffuse variation in the flesh, interesting translucency in the diffuse of the wave, white foam parts on the wave, more grunge on the metal parts, gross particles on the teeth, subsurface scattering map, and more stuff that i cant think of. -
Vintage Coca-Cola Machine
Hey everyone, haven't posted any work in awhile so here is the Coca-Cola machine that I have been working on for my portfolio/demo-reel. It is 1,702 Polys with 2048x2048 Diffuse and Specular maps, with a small pedestal that has a simple 1024 diffuse, and all rendered out in Marmoset Toolbag 2. Hope enjoy.
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