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Re: You're doing it wrong.
I think another side of this, that a few may have touched on is creating a concept that is so outlandishly impractical, that mearly seeing it in a realistic environment gives this great surreal sense, something that can be very cool in the right setting. I think a great example of this would be spider tanks, i mean really,… -
Re: Uncoventional porfolio criticism
That was valid criticism which was helpful, so I wouldn't include it in the above. I was considering taking Scott Eatons anatomy class, but what I would learn from the course wasn't considered relevant to my work at EA after I had my anatomy work assessed internally. One advice I was given was to create pieces with more… -
Texel density and number of UV sets on a Model
Hi ! I have a question which is making me crazy. I have the part of the answer I think but it would be great if somebody help me. I want to create Weapons for FPS games. And I'm struggling with the texturing part. I don't really know how I can choose the number of UV set I need to use. Then how to set the texel density. If… -
[HUGE REV SHARE + EQUITY] Experienced Game Dev(s), with total freedom wanted!
We're looking for a veteran dev person/team to join us, in creating an indie game. You will have total creative freedom* over the game’s genre, subject matter and gameplay! And are free to display the work you created for this game in your portfolio* (no NDA required*) And we'll provide support where you need!… -
Re: Senior Lecturer: Digital Animation - University of Hertfordshire - £35,298 to £45,941
I should add that the job role in dollars is around $70K We are 22 minutes by train to London - http://www.visitlondon.com/ But if you don't want to live in London we are far enough away that its all a bit ye olde weldy and you could live in Hatfield and cycle into work every day. Or a 10 minute drive away is St Albans or… -
Re: EA Mythic Red Dragon concept piece *Image Heavy*
hey, thanks for the great feedback: @rhinokey - great catch on the corner piece, great to have fresh eyes on this. i drew the nordic knot, but as you can see , had a hard time figuring a way to work it in behind the mug. this weekend i'll work on the edges/facets of the dwarf carving and the mug carving and see if i can… -
Re: Does making 3d characters really pays off ?
In cases concerning my portfolio, its them considering it first, then calling me in for an in person interview after phone interview. The problem with this process is the absolutely zero transparency or credibility, or professionalism for that matter in several cases. Though they are likely to treat you better if you are… -
Blender, hard surface and traction in the industry.
Hi everyone, Since last year, i've been jumping on and off between Blender and Zbrush to find my own voice in 3DCG. I've grasped both software's basics and I've been diving more and more into hard surface. I'm making this topic because the search function throws nothing at me, I've been following Mario Elementza's… -
Metahuman rigid body physics on skeletal mesh - issue with retargetted animation?
Hey! So this is outside of my wheelhouse and I'm lost. I'm working on a character that has a lightsaber hilt on her hip, I want it to bounce and move as she walks/runs etc. I may be doing this completely wrong, but it's been working so far for me. I created the clothing and brought them in as different skeletal meshes and… -
Re: Trouble setting up window transparency from Substance Painter export
Refraction is the correct shading model to use for something like this. You'll want to create a mask and load it into the Mask Map slot in the Tansmission panel. White values = full refractive/transparent, while black values = opaque. For instance, if the metal bars were part of your glass texture, you would want those to…
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