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OBJ export not maintaining crease edges in maya
Hey guys did a search for this but didn't find anything, im mainly a max user but have made the switch recently(3 days ago), I am exporting a base mesh from Maya to UV layout then to Zbrush, it seems to lose its creasing edges even if I bring it back into maya and do the edges again then send it to Zbrush as a OBJ, Am I… -
Re: Smoothing groups from max to zbrush
found another way to translate smoothing groups from max to zbrush. 1.create smooth groups in 3dmax 2. run script from here http://forums.cgsociety.org/showthread.php?t=297006 (in last post) it is create and assign separate material to each smooth group 3. in zbrush preferences-import/export set import mat as groups 4.… -
[Full-Time with Work From Home Option] 3D Environment Artist - YesRGB ArtStudios, INDIA
We are looking for a talented environment artist to join our team and create high quality 3D environments for a multiplayer game. A self-motivated and highly skilled artists with capable of producing beautiful and artistic yet functional spaces will be considered immediately. Responsibilities: * Create high and low… -
[Rev-Share] Concept Artist/Illustrator
Project Name: Birth of Death Genre: Adventure/Story Engine: Unreal Engine Art/Style: Stylized (like No Mans Sky/ Journey) General Description: I am a Game Designer, Programmer and the Creative Director for this project. I really love games which are telling a story. After long brainstorming, there was the idea to create… -
Re: Should guncoating be treated as a metallic ?
I personally never torture my brain with such a dilemma and hardly ever do metallic channel 100% white. Who cares if it's physically correct or not . In our render 100% metallic always looks weird and too "metal" of kind you would never see in real life so I do just what looks right in-between clear and cloudy sky slider.… -
Re: Don't Use AI for Replies
Corpo-speak has been around for quite a while, LLMs only made it more accessible. So we see it everywhere now, accompanied by weird emoji listicles when it's a professional seeking work. It's text shaped in a way that should be more legible in principle but isn't in spirit because it's created by a hollow bot charging by… -
Re: The Great Atlas - Game Environment (Need Feedback)
I think for what you are trying to convey it is very good work - especially as a beginner. Agree with adding a bit of colour into your textures so that things don't just blend together into a grey blur OR even adding colour through lighting. Other than that i'd say you have done really well and i imagine you learned a lot… -
Re: My great learning project...please HELP
Hmmm, I was hoping someone would respond to this forum, but it might be dead. I decided to start over once again with a high poly model in mudbox after watching Eat 3d Damaged Pillar, but after watching it, and creating the high poly, the bake came out all screwed up. Maybe I am always trying to go too big too quick. I… -
Feedback - Rainy Environment work
hi! I'm a student currently working on a piece of work to create an environment that is affected by rain with possible rain animations in the scene. I have been creating some assets in blender and texturing both in blender and substance painter. I tried to add some water droplets to this sign but am looking for some… -
Value map driven color gradient?
Hey all, I'm not entirely sure how to describe what I am looking to do in Unreal, But basically I followed along with Abe Leal's newest video on the Adobe Substance 3D Youtube channel where he textures a shark characters but he uses a technique where he creates a value map first and then uses a color gradient that uses the…
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