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Realistic Characters & Structures 3D Artist looking for work
I'm a 3D character artist with 10 years in game development. I've worked at multiple studios and recently switched to freelance works. My specialty is photorealistic human and monster characters for game that require immersive aesthetic with details that’s hyperaccurate to real life. I also have experience in game… -
Re: Tunnels - Environment (image heavy)
Thanks for posting, the highpolys are nice and simple. I almost think the highpolys could have been skipped for this and you could have done all of that information using Photoshop and CrazyBump/nVidia. Save some beveled edges, its primarily nuts & bolts and some 2pixel edges here and there. (This is something I would also… -
[WIP] Sekiro Fan art - Prop / Environment - Rendered 3ds Max, Corona
Hey everyone! I have here something of a small Sekiro fan art project that I could use some feedback for. I modeled Sekiros Arm from the game and I’m working on building a small scene to go with it, but I’m having trouble with my composition and lighting designs. I had originally made this in 2019 for an art contest hosted… -
Grand Meteora, UDK Environment
Hey guys. Figured it was time to pimp my stuff I've been working on. This is my very first level in UDK, for a university project. We were given about 8 weeks to propose our own project and complete it. If we don't complete what we originally said we would, our grades suffer. As you can image, its easy to think big in the… -
Re: Weird Artifacts When Baking High Poly to Low Poly in Substance Painter
Two important considerations to think about with an asset like this: 1. It's best to align UVs vertically or horizontally, instead of diagonally. This avoids jagged/blurry artifacts from antialiasing, and improves downsampling for LODs and MIPs. 2. For hardsurface assets, you'll get better results by not using baked normal… -
Re: Sci-fi Wall
Agree, the large tube is pulling my attention from the other surfaces. It would help to spend a bit more time on the bend at the right end of the large tube. Right now it doesn't read like a tube bent at a right angle. The rest of the wall looks really good, though I would expect some bloom on the bottom middle flat… -
[PAID/HIRING] Blender artist for cyberpunk-style environments
Update - to everyone that responded; thank you. It will take me a bit to evaluate the submissions as we are quite busy. I appreciate your patience. We’re currently working on static visual assets for a cyberpunk-themed website and e-commerce shop that sells enterprise servers and IT hardware. The aesthetic is dark with… -
Seams in Normals when Creating Tiling Environment Trims and other Tiles
So I was running into a problem where I was getting a "ghost" seam on my in game mesh that for the life of me seemed to be stubborn about going away. No mirrored UVs, no UVs overlapping, no discoloration in my Normal Map via gradients or other abnormals, etc. I ran through everything I could think of and still had no luck.… -
Struggling with Head Anatomy – Need Feedback to Break the Cycle
Hello, I’ve been sculpting in a blender for a few months. And It’d be great if I could get some insights on my progress so far My goal is to eventually create a full character, but right now I’m focusing on head anatomy. The problem is, no matter how much time I put in, I don’t feel like I’m improving. I’ve been stuck at… -
Re: Specular /highlight spot suppression texture channel?
In Unreal Engine, there's composite textures that help kill specular on noisy surfaces (their reference images kinda suck, but it's great for terrain and flat surfaces): https://dev.epicgames.com/documentation/en-us/unreal-engine/composite-texture?application_version=4.27 Valve talks about a similar problem/solution on…
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