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Re: Course Character: Hatsune Miku - The World is Mine Version.
Firstly, holy crap thanks for the support guys, It's really blown me away haha! I just hope there is some stuff in here thats useful and its not all absolute rubbish ! Delega: No sorry she wasnt! Beestonian: It will be a realtime, textured asset, the budget might be quite high though as I anticipate a lot of polys in the… -
Re: Knight dude (W.I.P.)
Thanks for your concise feedback, Brian. 1. Ah, yeah, for the detailed render, I should have mentioned I withheld the skin pores because I was trying to figure out if a "bio-metal" person would have metallish skin or have skin pores despite the composition or a mix of the two. I won't go the Collossus route since their… -
Re: Recommend me a modelling app
I actually quite like this thread. Since you already have a lot modeling experience and (understandably) high expectations, I think that great suggestions can come out of it. And I think I understand your frustrations :) Now of course a lot of the suggestions being made in this thread will be strongly biased, since people… -
Re: How many polygons should a rigged model for animation have?
Poly count does matter, if you're going into a realtime game and even if you're rendering, you want to make sure your models have just enough polys to hold the detail but not an excessive amount that they cause other systems (rendering nodes and player machines) to chug. There are other external factors at play most of the… -
Re: [WIP] RECREATING A SKELL MECHA (XENOBLADE CHRONICLES X) - MASTERS
Weaponry Scans from the artbook - Xenoblade X: The Secret File: Art of Mira, showcasing a variety of concept art for the skell weaponry featured in Xenoblade Chronicles X Weaponry in Xenoblade comes in two varieties, weapons to be used in melee situations, such as blades, tomahawks, javelins etc., and firearms to be used… -
Re: Curious about character animation workflows
I agree in general, 1 anim = 1 file, as guiding principle, but I'm a Maya user (currently). It really depends on how much animation you have and how easy it is to work with it. If you have 3 anims that total 90 frames for the entire game, its probably not a big deal to leave it all in one timeline. If you 20hrs of anims,… -
Re: Jed's Tutorial Spot
Previous & Table of Contents This setup tints the specularity looking straight on and leaves it achromatic at the edges, which is accurate. How about a rough plastic now? At a first glance, this might look OK to some of you, but it's actually got too much specularity around the edges. If you observe some real-world rough… -
Looking for a concept artist partner (unpaid)
![TorQue[MoD]](https://us.v-cdn.net/5021068/uploads/userpics/978/n9Y8GE4KMHMJB.jpg)
Hey all, My name is Peter Ryan aka TorQue[MoD]. I've been a game designer for 13 years working in both the mod and professional gaming scenes. I've recently ended a contract with a local game dev company and a programmer friend and I have started a new project built with UDK. We're currently looking for a concept artist to… -
3DS Max/Zbrush/Substance Workflow Tutorial
3DS Max > Zbrush > Substance Workflow Tutorial Note: This was made several years back, and My knowledge of these programs has increased greatly. Most of this pipeline is still relevant, and I hope that you find it useful (9/12/2019) My name is Adam and am responsible for the vast majority of assets in the upcoming game… -
Paul Pepera, hard-surface pro
Polycount's Hamish Bode had a chance to chat with Paul Pepera, master hard-surface high poly modeler and Lead Mission Artist for 343 Industries. Hamish Bode: How long have you been involved in the games industry and what's your current role? Paul Pepera: I have been modding games most of my life but I got my first…
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