Hi,
I am trying to work my way up from my college days in Game Art. I really want to get a job in the industry but I feel my 3d isn’t where is should be. That be said I am hoping I can get a critique on my Corsair I modeled in maya textured in substance and rendered in Unity.
Here is a YouTube link to a 360 degree turn and wireframe:
https://youtu.be/_910T9LqXUsThank you for looking!
Replies
try uploading to an IMGUR account that you will remember to use, and get the direct link code and input into the URL line of the image input of the forum poster to DIRECTLY add the image to the post instead of attaching it. It makes looking at the images faster for us.
Anyway your model seems pretty good, though a bit too low-poly for a hero prop (unless it's for a mobile game). The textures, lighting, and presentation are bringing it down unfortunately. The roughness and metal values seem pretty even across the entire plane giving it that metallic-paint look, which could be cool if it was more reflective. This high roughness and medium metalness value combo is giving a strangely flat look, not picking up any interesting highlights or reflections, getting the least out of your normal map. This flat look might be caused by the lighting though. Your materials might totally come to life in different lighting. I'd have to see your texture maps to be sure. If you wouldn't mind posting your maps it might help.
The damage and wear should be based on the model's shape and structure more. Right now the damage looks like random blotches, or spilled paint. Higher exposure areas are more vulnerable to damage and ware (Edges of panels, tops of bolts etc.) whereas the creases and cavities are more prone to collecting rust, dirt, and other sediments. The key is finding and studying really good reference so you don't accidentally over do it.
I'm having trouble understanding your lighting. Some places have contact shadows while others don't like the shelves. There appear to be multiple phantom spotlights lighting up your plane from multiple angles, but none of them line up with the actual spotlight models hanging from the ceiling. And bounce light and ambient occlusion seem to be missing. Somehow it's giving me a late PS2 era vibe. I think matching your lighting set up to fit the scene would be better, or ditching the hanger and just have the plane by it self. Either way, I think more dramatic lighting would look better. With Bounce light and ambient occlusion turned on. Again, find good reference, and study it. Even searching "airplane" on Artstation could get you some good ideas of how to light and present a plane in interesting ways
Finally presentation. The low detail models and low-res textures of the hanger and background props are distracting. Bringing them up closer to the level of detail of the airplane would help.
Sorry if that's a lot all at once. You have a good start. Keep working and learning and you could have something great.
Thank you so much for taking the time to leave a detailed critique! I have been posting this a few different places looking for feedback but nothing. I will work on this after work if I can (lots of overtime) and see if I can get it to a better place based on your critique. I will post it here after I do. Again thank you so much!
https://imgur.com/a/zOTGHFd
Also here is a Youtube video as well:
https://www.youtube.com/watch?v=YR44k9h9dtE
@Joseph_Bramlett, I tried downloading Marmoset for the 30 day free trial but I couldn't get it to look right with the lighting.
So, semi-metallic paint is typically only used on cars. The paint mimics the way metal reflects light, giving the cars a colored specular highlight, but a clear coat is added on top to keep the sharp reflections.
The the type of paint I saw when I googled your plane's model # does not reflect light like a metal. It's what super-technical tutorials about physically-based-rendering call a 'dielectric'. It reflects light more like a hard plastic.
Anyway, if you want your plane to have a similar reflectance to the planes on google images, I would recommend turning your metalness value down to zero/black for your paint, but keep it a 100/white for any unpainted metals like the bolts and the frame of the cockpit window. Things like dirt rust and stains on top of raw metal can have a grey metalness value though.
You can also turn down the roughness too if you want to have a glossy paint job like the planes on google images. It seems that model of plane is only used in air shows now, so they all seem to be kept very polished. If you decide to give Marmoset another shot in the future, that software does fantastic reflections for materials with high gloss values. It's designed project an HDRI image of an environment onto your model to give you quick, easy, yet realistic reflections. Perfect for vehicles wich is why Joseph recommended it.
https://imgur.com/a/M2BVpYs
Its weird because on my secondary monitor the images are way too dark, but on my primary one they look (I hope) how they should but I'm not sure. Maybe they aren't calibrated the same.