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Re: Typography I'm lost
Idea 2 as a header without the slideshow behind it. NEVER do a photography/hard surface slideshow (or a slideshow in general). I can't even think of what position would want that.. I feel if a company sees a slideshow with your photos mixed in with hard surface stuff they will ignore you.. Literally, all you have to do. 1.… -
Re: 32 Bit displacement map vs 16 bit
Zbrush uses grey as a midpoint, so a 16bit map is definitely capable of pushing down. Both maps use a higher range of value to express "positive" values, so the expression needed is setting the shift value to -1/2 whatever the positive value is. So for instance if you set your displacement to 1, then the proper shift value… -
Re: Help with the Equation for converting Gamma to Linear.
In that case, Photoshop can display colours in a different way than Unreal depending on your Colour Management settings. What you can do is go to Edit -> Colour Settings, and in "Working Spaces," select the "Monitor RGB" option in the RGB field. This turns off the Photoshop colour management and the colours that you pick… -
Re: [Cinema4D] Infamous Shift-Drag Edges.
Thank you all for the precious comments, these are just what I need. Having all this in mind, I think I'm going to try Modo as soon as I can. And why not, Maya... I'm pretty sure I will find a faster workflow in them rather than in C4D. There are a bunch of simple-yet-useful features wich made 3DS inestimable to me, and… -
Re: In need of advice on normal mapping/texturing large buildings
The vast majority of environment assets these days should NOT be high -> low baked if you care about production times. Our vertex count ceiling for games is so high these days (3-15 million per scene for a AAA-style game), that you can get away with a ton of geo density and still be in the realm of running perfectly fine.… -
Re: [UDK] New Mexico Desert
Thanks for the comments rascals! I'll mess around with the color correction more and see what happens. @Ged, I've been thinking of doing some more decals for the ground to get a bit more variation but there's so much foliage that I didn't think it'd be that noticeable. I'll work on the blending a bit more so that the grass… -
Re: New Painting Tool. Colour Constructor!
Chrilley, the math that drives light is very simple. Like everything in physics, complexity comes from trying to derive information about the base equations, like converting RGB to HSV for example. The code uses this for each channel in RGB. It's easiest to normalise your colours to a 0-1 range, which lets you know that… -
Re: Think back...
While I'd been playing games since the DOS days with stuff like One Must Fall 2097 and Warcraft gleaned from cover disks (yes, floppy disks) back in 1996, when Quake was released I just got totally addicted. After a year or so I discovered that you could make models and textures (or in my case at the time, just tweak the… -
Re: Modular/Tilable HandPainted Dark Fantasy Dungeon
Hi ! :) I'm glad you like my work. Thanks for your feedbacks, it helps a lot ! :\ I took note of everything you said. Here's a first try to improve the scene - New floor texture - Made the cyan stone more bluish. - Smudged a lot of '1 pixel sized' details on the props to improve the readability - Tweaked a bit the wall… -
Re: AR - 6W Armadillo
It looks like you are setting all your edges to soft, 1 smoothing group, and baking. That is why you have all those gradients in your normal map, which can cause problems, especially when you compress your maps down. You want to make sure you are using hard edges to control your shading, and UV splits on those hard edges…
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