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Re: Looking for critique
These are great, loving the style you've got going on! The monster lockbox could use varying line weights, for example around the teeth the shading is very even, which tends to flatten it out. Experiment with thinner weight at the tooth roots, vs. thicker weight at the tooth tips, or vice versa. For the grass, look into… -
Re: Form, Shape, & Structure in 3D Modeling & Texturing
Yes this is true, but the difference is that silhouette only describes the overall shape where as shapes, by themselves, may be found where silhouette is not. Any form can generate a shape and any shape can imply a form, but silhouette, but the definition I understand it, can only imply the contours of forms (the outer… -
Haunted House for my horror card game Desecrated Deck
Hey folks 👋 I wanted to share a new project I’m working on: a creepy old house environment for my indie horror card game Desecrated Deck (Steam link below if you’re curious 👀). I’ve been doing hard-surface modeling for many years (props, hardsurface, clean shapes — that kinda stuff). BUT… I’ve actually never fully finished… -
Re: Biplane CR.42 Falco for Games – Hard Surface WIP / Looking for workflow advice
Hey, thanks a lot for taking the time to reply, I really appreciate it. Getting feedback like this actually means a lot to me, especially because I’m working on this project in the evenings after long workdays (I run my own business), so staying motivated can be tough sometimes. Even just one solid reply like yours really… -
[WIP] stylized props
Hello! This is my first time posting here, I hope I get things right but don't hesitate to point out any mistake I make. I'm a 3D artist specialized in environments and in stylized 3D for real-time rendering. I love it when my work can run on a potato, hand painting textures bring me joy. I used to work with 3Dsmax, now… -
Questions about Materials/Shaders and Textures
So, my polycount fellows, I'm pretty sure that this is a noob question but I still can't figure out and can't find the exact answers so I will just ask here. I'm using unreal in this example but the question applies to any other engine too (well, at least that is what I think lul) So, first question is: If I use one… -
Re: [FINISHED] Real-Time Character - Pigeon - Marmoset Toolbag 5
That looks like a fun gnarly character with a lot of detail, but especially the beauty shots are really hard to read. The metal arm basically disappears into the body in the first shot, even without squinting. Perhaps you wanted to show the skulls, but having a stronger light from the left/back/top and less from the front… -
MGS1 Case Study - Calling all you lowpoly fiends!
Hi all! The goal of this thread is to do an interactive case of the graphics of Metal Gear Solid 1 with the Polycount community. This is my favorite game of all time, and I can still remember just how absorbed I was with everything about this when I was growing up. Now I would like to study and appreciate it from a more… -
Re: Toolbag 2 is on Steam! | Marmoset Toolbag 2 | News & Announcements
Additive would probably be best, yes. but it depends on the look you're going for, i suppose. As a side note, here's a little video showing some of the shader changes i've made. It shows the default blinn-phong shape for Toolbag2, and then the GGX shape used by UE4/The Order 1866, and finally a Beckmann skin specular… -
Re: modeling rock candy? (max or maya)
well think of them as crystals like the ones in starcraft that interlock together instead of clumps of squares. If you need it to be that low model a volume that is like a bat and make the texture do most of the work. Try making a high poly version ofr lack of a better term and give it a shader. Make it look like glass to…
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