Thank you @FrankPolygon Your answers are always very insightful! I've been bouncing all over the place looking for the fastest and the most intuitive workflow for modelling from concept to texture. Came all the way from CAD modelling from Fusion 360 to Subdivision and i'm still not able to properly dig in. It was becoming…
Not sure if this is the right topic for this, but I am new here and not sure where to ask about this. Started modeling objects for games in my free time many years ago, when normal maps for games was new (2004) and I never understood the high poly to low poly workflow. I would approach modeling like this: (model in this…
@SkinnyM Have to agree with Eric's recommendation to block out the major shapes before merging them and adding support loops. To add to what's already been said: blending complex shape intersections is all about creating accurate shapes that have relatively consistent segment spacing. Using more geometry can help with…
@tatertots You're welcome and thank you for sharing your results and followup questions. Example images in my previous post only show the initial block out, the final topology with a smoothing preview and the final subdivision model with a shiny material to highlight any artifacts. Only showing the starting and ending…
@MegaSofteae Creating a detailed outline of an object's profile can seem like a logical place to start but in most cases this limits the way you think about the shapes by constraining it to a 2D space. This is why it's generally considered best practice to block out all of the major features of an object in 3D before…
@Udjani You're on the right track. Sacboi is right about working through some additional block-outs to analyze the shape. There's a few distinct features that appear to be in conflict: the oblong boss appears to have a fixed width, the pattern draft appears to be relatively uniform and the complex profile appears to have…
@macaron10 Looks like the basic topology flow should be workable. Running the support loops around the perimeter of the shapes will sharpen the outer profile but redirecting the loops across the flared cap will produce a softer, rounder profile at the end of the quillion. The blade and hilt sides of the cross guard aren't…
@guitarguy00 Not a problem. That loop part starts out as a circle with a segment count that's matched to the area it will attach to. The back end of this part doesn't matter that much since it will be lost in the Boolean operation. Land the part between two of the vertical segments and use those segments as support loops.…
Hey friendo. In general, it's a good idea to gather as many reference images you can and really study the shapes of whatever you're modeling. Analyze how each part was made. If you understand the manufacturing process, most of the shapes model themselves. Some pieces will have to be made only by following the refs, so…
That technique has been in the wiki for a while now. There seems to be problems getting it to bake correctly depending on the application, and having used it on several objects myself I would say its usefulness depends entirely on the mesh you're modeling. Cubes are great, even joining together two cylinders and other…