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Re: PAnick's Sketchbook
Thanks for sharing your workflow, I've found it very helpful, especially because I'm still a bit inexperienced when it comes to hardsurface modelling in ZBrush. I was wondering how you achieved those sharp edges with very smooth surfaces? I tried modelling a handgun recently, and I used the polish brush on some edges using… -
Share feedback with the NiteOut Crew for a chance to win a Nintendo Switch in 30 Days!
For a limited time only, Sign Up Here to provide about 30 minutes of feedback in return for the chance to win a brand new Nintendo Switch, which retails for $299 USD + tax. The winner will be notified by Monday, June 7th. Background: The NiteOut Crew is a group of friends working on a new idea at the intersection of social… -
[Rev-Share] Modellers and Animators needed for sci-fi multiplayer FPS.
Hey buddy! Yeah you! Are you able to.... Speak English, actively communicate within a chill team of talented people, and 3d model/animate? Then 7th Kingdom Studios is for you! We are currently working on a multiplayer sci-fi fps which will feature satisfying gameplay and addictive all around content. But do you know what… -
Re: Is Sub D/Poly modeling dead?
I don't understand. It's supposed to be more fine-tuned, like hard surface, sharp edges. I don't understand how people do that via sculpting. -
Thoughts on using Megascans / Substance Share materials in your environment art portfolio?
Recently I've been seeing some differing views from people in the AAA industry about using pre-made materials in your environment art portfolio. Some say it's okay because most AAA studios these days outsource materials and smaller assets anyway. But others say it's a deal breaker because it doesn't show you can make every… -
[Rev-Share] Looking for a 3D modeler for a FP time-travel-based game
Hello Human Beings, We are a small group of three trying to start off by making a time travel based game. In the game, the user have to complete levels using his/her time travel control ability of slowing time down, solving riddles, and more alike. A common example I'm giving is if you have a very long room with a door on… -
Re: Request for Honest Critique – Realism Assessment on Octane Product Render
Thank you for a detailed answer. The angle might look more natural with a camera without such a high focal length (under 100mm), and you're right about the HDRI/light setup. I think the fresnel falloff is what will make a huge difference in the reflections, because they are currently too sharp and fake because everything… -
Re: I always combine meshes in Maya first when I want a shared texture set. Am I doing this right?
Painter splits objects up by material so any exported objects that share a material will be baked to the same texture. There's no need to combine meshes etc. for any of this - you can unwrap multiple objects together in Maya -
Re: TurboSmooth Pro released
so here's what i think about this plugin: the plugin itself is very good, but the purpose of creasing in the workplace is questionable. if you've used maya or modo before, you've probably already used semi-sharp creasing. turbosmooth pro quite simply adds this functionality. the plugin interface will be familiar to anyone… -
Re: Latest Works of mad-one
Very nice work! Only thing I would crit is I notice on your hardsurface stuff very sharp edges on everything. There really isn't the kind of subtle bevel in your highpoly that I would expect from real world materials. I think this especially hurts when baking, because normals always come out better with even more…
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