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Re: RR FEMALE ANDRIOD
This good stuff ! Some of what I have to say has already been said but I'll say it again anyways :p First off, that floor is too strong visually, my eyes keep getting pulled to it because of the brightness. I think you should go with a surface that doesn't emit light, it just takes attention away from the model, which is… -
Re: Toolbag 4 - Ray Traced Shadow Artefacts
Just going to add my experience, i feel either the lights have to have an added power "numeric" so example, currently its 0.000 i think an additional space + 0 to lighting so that we can get 0.0000 spaces values to play with will fix a lot of the "issues" or patch it till another more accurate solution can be "found". If… -
Re: Sketchbook: justjake
For a long time I had wanted to try using graphite powder for my drawings, and I finally have. What a horrible mistake! This stuff is as fine as talc powder. You open the tub, it goes everywhere. You pick it up, a cloud of graphite erupts from the surface. You lay it down, more clouds, more graphite falling off the sides.… -
Re: Resistance 3 Generator
@AXEL Thanks man I appreciate it! The final mesh has a polycount of 2,000 and not 9k I decided to drop it as low as i could go -So here is my High Poly Work Flow- 1. Create mesh make sure proportions are good super Important, on this asset i went back and forth so many times trying to nail the proportions 2. Start going… -
Re: Guys and Gals, I really need help pushing this Still Life scene to the next level. Please Help!
Yeah! I like your style of working through a scene in situating it into a potential story. And thanks, I wouldn't want to come across as someone who is like 'this isn't right, or this is wrong' haha In a simple scene like this, I always think of the Yin + Yang symbol for some reason, how objects harmonize with eachother.… -
Re: Can you help push me?
You're talking about developing your critical artistic eye skills. There isn't a whole lot other people can tell to help you develop those skills, they come with lots and lots of practice. The power of observation is one of an artists most important skills, the power of comparison is right up there. If you don't have… -
Re: Teenage Demon
ouch I remember this one, it hurts. I'm going to be brutally honest and hope that it helps. It's horrible. It doesn't do your concept justice, the concept isn't that hot to start with. But tweaking your concept will only get you so far. You have much to learn about form, textures, and what gives character to characters.… -
Re: My first game has been officially announced!
Why does everybody think you mean Gears Of War when you say it doesn't look next gen...? Christ people, get a clue. The point I was making is that the game looks like it could easily run on a PS2... and does. Its an effortless port, and the PS2 version is the one thats had the most work gone into it. Lets look at it more.… -
Re: A mana well
This is why its important to learn why a rule of thumb is created, instead of just following it. You need to learn why so you can adapt it to your situation. It's not as clear cut as height X 4 = texture size. The examples I was talking about in the other thread where about a box which translates pretty well because it… -
Re: Seforin's Self improving thread(sCulpting/anatomy)
The sword on the leading edge of the wing idea is pretty cool. Though being a more practical minded person I would have attached the swords on the back between the wings running parallel vertically. But the setup in your design should make for some interesting motions when drawing/sheathing the sword where he would bring…
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