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Simple question about pipeline in Substance P
Hi. Finally i buy Substance Painter for integrate it in my pipeline. (pipeline is a "big" word, i'm not a good 3d artist, only a 3d "lover" ) Now i work on little project (here the wip) , to star learn the soft. Now i read the manual, is a GREAT soft. So, what is the pipeline? I model high poly in Blender and i have all… -
Re: Looking for critique (completed asset)
Hi! My main critique with the mesh is that some curved elements are low resolution (main tank, wheels) compared to others (chimney, pistons), resulting in a visibly facetted silhouette. I think the overall shading looks a tad too soft in places and shows some gradients. If you plan to rely on mesh-shading opposed to a… -
Re: Highpoly Kriss Super Vector
you're unfortunately at an intermediary skill level, and around here that means you won't get any feedback. newbies get basic instructions, good artists get blind praise, and everyone stuck in the middle is doomed to an eternity of non-progression... UNTIL NOW. ~~~explosion sound effect here~~~ since i'm just sitting here… -
Re: Substance designer or not?
I would use Substance Designer only if you really need something "procedural" . Photogrammetry takes fraction of time necessary to recreate such a texture in SD and ALWAYS looks better and more real if placed next to each other. Another thing is you can create such things in actual 3d soft , even Blender , using custom… -
Re: Some 3DS Max Questions
Just checked it out, I am familiar with soft selection. However, I am thinking more of the distance from a vert that I would have to click in order to select said vert. Rather than the way soft select is selecting an area around an already selected vert/sub-object. O kind of like an area of acceptance? If that clarifies… -
Re: Busts sculpts for boardgame pieces
Good improvements, The hard angles make it a lot better. I do think you need to look more at the depth of the face. And the balance between soft/hard. In some places they are too soft like the chin, while the cut off from front to side is quite hard compared to the chin. If you make the style on those closer to each other… -
Re: Dissertation Work - DX11 Tessellation, Character Model
I have unwrapped the model and dropped it back into Zbrush from some light sculpting and painting. I also did a quick paint over to try out a different light idea. It kind looks like Tron or a bit like Dynamo from The Running man (cause he is lit up). I quit like the rounder plates on the armour though I might go back to… -
Black Noise - 3D Generalist Volunteer [Looking for talent]
Black Noise Are you a talented 3D Generalist looking for an opportunity to showcase your skills and be part of a groundbreaking project? Look no further! The team at Black Noise is seeking passionate artists to join their creative endeavour, which promises to be an experience like no other. We are currently seeking a 3D… -
Re: Maya - How to evenly distribute edges/vertices??
There is no doubt a better way to do this, but this is something I've concocted: Duplicate your mesh, and make the duplicate live. Select the original mesh, use quad draw tool, activate soft select, and use the smooth brush. Make the soft select pretty large to influence as big an area as you need. Making the object live… -
Re: Frazetta style Conan armour
yeah I think I got a bit obsessed with giving things equal texture space using the checker texture and forgot to just cram it all in more. Thanks dookie, Ill look into that, I did turn sharpen right down on marmoset to get everything to look more soft and painterly so that might be adding to the soft clay look you speak…
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