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Re: Lead Artist having issues with a Junior Artist
totally agree with the above replies, just wanna give my 2 cents as well. I see three issues here. A. artist doing their own thing, and not what you want in terms of style - this could be either to the artist not being used to design (that is totally okay for a production artist imho) or you have to teach them what you… -
Re: Adding bones to Biped for Hair on my Character
You can also create max bones and link them to the biped. This is useful because max bones can be rigged up to follow dynamic simulations like cloth, spring controllers and the flex modifier so you don't have to hand animate the hair. You can also hand key max bones that are following a simulation, depending on how you rig… -
Re: (NSFW) Demons: A Personal Art Project using the UDK
I would say that if you're an environment guy who is not that experienced in character art, you should stick with realistic anatomy for this sort character's body/muscles etc, but feel free to go nuts with head/hooves (look at goats, cows etc. for those). Get lots of good reference and follow it as closely as you can. Here… -
Re: Polycount is now on Twitter
followed. that makes 8 total followed for me i think hah. -
Re: How can I make these textures read as more realistic?
I feel like the lighting is a big enemy at this stage-- I'd recommend bringing it into Unreal and mocking up the lighting, and seeing how things look then. I think the wall is probably too bumpy, and I'm used to lace tablecloths having borders around them, where yours just kind of tiles and cuts off sharply. My other… -
Hair feedback and advice
Hi I'd like some feedback and advice regarding my generated and baked hair. I've followed two courses now - one by Johan Lithvall and another by Andre Pires, which is a very similar workflow to Johan's. However, with the hair I've made, and since, mine always looks like straw. :-\ I've even tried adjusting the shader in… -
Re: Mesh resolution
It's a case of "it depends". Here on UE5 Manny (top), the transition from soft parts to hard panels is continious, achieved with a very precise placement of loops perfectly following the transition (and therefore also dictating the ID/texturing mask, which ends up being nearly per-polygon hence very clean and robust). Yet… -
Re: Marcus Dublin Art Spot
ive followed you since i was in college, i will follow you still -
Re: Crit my student portfolio please :D
I followed millenia's shotgun tutorial to make textures. Is there a better tutorial to follow or..? -
Re: Cyborg Vampire_Art War
Was following this on artwar, gonna follow this over here now :3 Again, she looks awesome so far!
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