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Torchlight Destroyer - Animated Walk Cycle / Walkthrough
Hey All! Over at 11secondclub.com, I noticed a lot of walk / run cycles being made by people who are just learning animation. Almost all of them appeared to have the same mistakes in them. So, instead of saying the same comment over and over, I decided to create my own walk cycle, demo reel worthy, and document and explain… -
[MAYA] - 3D Environment Workflow Pipeline (Question)
Greetings! I tried looking on this forum for something similar to my question, alas I could not find anything so apologies if this one is redundant. I'm seeking help in knowing what is the best workflow in creating 3D environments for filmmaking where actors will be shot on green screen and then later composited in the 3D… -
Creating Tire Tracks in Landscape Sand
I was hoping someone can help me out with this. I have an environment I have created using megascans and a quixel landscape material in UE5.1.1. I would like to create randowm tire tracks in the sand but I am not sure how to go about it. This question was asked some time ago in this forum and there were verying answers but… -
Re: The Bi-Monthly Environment Art Challenge | May - June (96)
Hey, I'm not participating or anything, but I'd just like to point out the hard surface prop has a glass or acrylic panel on top in case anyone else failed to spot it at first like I did. 😆 The crate is lighter on the inside due that panel shading, not wall material variation, and it's possible to see stylized diagonal… -
Re: 3D painting software
I have just downloaded the modo trial specifically to evaluate the painting, looks good so far. Has everything you need and more. Good brush and tablet options, fast projection painting(none of this viewport dropping nonsense), blending modes, layer masks, multi UV's, realtime normal map and bump, brush strokes are… -
Re: Brief Considerations About Materials
Hey Pedro the tutorial does cover some topics quite well. The issue about gamma is correct though. Neutralizing the specular by using an opposite color is a technique derived from combating lighting done in gamma space. Engines that use correct math (Unreal for example) do not need to rely on this technique as heavily.… -
Re: Biped Keyframe Per Frame when saving BIPs
Do you have a scene that has a bunch of different animations run, walk, jump and you're saving out each one as a seperate clip? If so you need to make sure the clips are book-ended, with a key on ever bone, at the start and end of each clip. The curves on these keys should be linear, if you're using Eular, and tension 50… -
Re: Does the current school system kill creativity?
While my original post targeted the Danish education system since it's the only system that I've tried so far. That being said, I can see a failure from my side to express my opinion the right way. My point, relying heavily upon the visual medium, should have been targeted, Like Kat points out, every thing. Creative… -
Re: People with Autism + ADHD innatentive who aren't medicated do you have any advice to be productive?
Reading this post is like looking in a mirror... I'm not diagnosed with anything, but years of struggling with even "basic" aspects of life made me think that, yes, maybe I should've gone to a doctor. Alas, I can't afford it either (and even if I could, I still wouldn't be able to make myself go). That said, I'm just a… -
Re: Issue with normal map and rotated clusters in UV
the important thing with normal maps is that you make sure you're reading the information out in linear space.. most applications have a specific texture sampler for normal maps or at least specific settings for loading them - provided you haven't taken the texture through photoshop that will always* work *assuming the…
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