Hey,
In a way I guess you can say portfolio is all that matters... but I hear both sides to this. Some say this is the way to get a foot in the door and others say different. I am only 18 years and a freshman soon to be sophomore in college. I need advice on what I should do... Should I just take the 3 years till I am out of college and just practice by myself or should I join indie teams? I have been part of some in the past so I know how things work in them.
Do you necessarily need to have a released title or have worked on any mod/indie games to land a job in the industry?
Replies
Lots of lessons are learned when you first work with other people.
I think working on a mod is a huuge help/bonus that employers look at. Not only does it show some experience in game art, it shows that you can work with others(maybe), and its also good incentive to get things done for a portfolio, if the rest of the team is kind of counting on you to get your stuff done. I think the tough part is finding a decent mod, with at least some level of organization. There are a lot out there. My boss said it was one a definite helper when he was looking at my resume.
Best advice I can give is get your head out there and see what mods are going on you might be interested in, it rarely hurts to see what's out there and you can do some networking to boot while having some extra motivation to do art. It's also just good to have people to communicate with professionally and your work feels more meaningful.
yup. reel matters. If the mod failed but you still have some pieces of awesome art from it, show them. If it failed and you got nothing to show, don't mention it (even though sometimes failed projects are the ones where you learn the most )
Think of failed mod like a badly reviewed game. Maybe the game design was lousy but the art was some of the best. An employer will not look down on you as an artist because the game you worked on sucked. Its more of the work you did to try and help make the game a success.
All games, mods, schooling, self teaching is all about two things. The amount of work you put into it, and what lessons you learned from the project that really matters.
Also no, indie/mods are not necessary at all to get your foot in the door.
So if you have a solid/kickass portfolio but no experience working on actually making art that has gone into a game, I would definitely recommend mod work. Think of it as an internship. But if your portfolio is weak, work on that first.
I know some are still going nowhere for over 8 years still sticking with the latter... shall not name names, but I know one of them tried to assemble a contest here for a project that died soon after.
And then there's this totally different animal, being open source game projects, where the motivation is mostly about promoting a license or some Free Software philosophy. The crap threshold line is highly differing, but they don't care since the license allows improvement and most assume a "if you build it they will build it" kind of attitude. It's not exactly secure for portfolio doings since then you'll have to give your source PSDs and such to suit some project's GPL license. This is probably the killer of them with the vulnerability of letting your art loose in a modifiable legally derivable fashion. The leaders you'll find there mostly are more about a Free license than a game's creative direction.
^^ this, well said!
I like the comparison said here that a failed mod is like a badly reviewed game: yea there's tons of games out there we say sucked and review poorly, but developers and artists did work on that game. Some of which who will be proud regardless of it's success.
I'd say always include the mod work on the resume. Would you not include a place you worked in studio on your resume, even if the game they launched that you worked on sucked? of course not.
Though you may bump companies/projects off your resume the more you advance, but including them as you start doesn't hurt.
I don't this it's a 100% you should have mod on your resume, but it doesn't hurt!