mausoleum
Hi-
This is the high-poly version of a model I'm working on. I think it might almost be done, although I'm not sure. I like the renders, but I think they could be improved. If you have any suggestions, let me know.
Thanks!
This is the high-poly version of a model I'm working on. I think it might almost be done, although I'm not sure. I like the renders, but I think they could be improved. If you have any suggestions, let me know.
Thanks!
Replies
Base it on anything or just free-styling?
I just spent quite a bit of time rendering some more. I've decided that I'm going with ambient occlusion renders. I know there are multiple ways of presenting work, AO renders are the simplest and most effective for me presently. I also added some detail to the two rectangular columns near the entry way. I'm still incorporating some other suggestions as well.
I think these may be a little overblown. I'm experimenting with the number of final gather rays being used.
Here are the latest images:
Unless there are any glaring issues, I think I'm going to stop adding to this high res model, do some optimization (finding a turbo-smooth type function in maya), and then move on to the low res model. I'll add wear and imperfections in the walls and columns with the normal map. I'm not aiming for things to be absolutely perfect, just satisfactory enough. I'm not sure if I mentioned this, but this is the first piece ever for the first version of my portfolio.
Let me know what you think.
It looks great for your first portfollio piece.
A subtle rounded edge on the arches above the door and the square columns will catch the light better. Your trim at the bottom definitely could use this because it is hard to determine that it is 3 separate pieces when the camera is low to the ground. You could either chamfer the edge or put a connect on either side of the surface with a smoothing group in the middle. I can't remember how smoothing works in maya since im a max user.
Rooster suggested chipping away at the brick. This takes a bit more time but it has a huge payoff.
If you have time to go into zbrush it will only make your piece look better. It will probably save you time instread of trying to paint everything in photoshop/crazy bump, etc. Try using the mallet fast with a low strength to make subtle chips at your arches/concrete.
I have finished the high poly model. I'm now trying to add further details in Zbrush, which I just got a couple days ago. I've imported the model as an OBJ file and have noticed that the mesh is somewhat distorted. Does anyone know what this could be?
Here are some screenshots:
Thanks!
In regards to the mesh blowing up, have you checked if all your verts are merged/welded and there are no holes in the mesh.
Look forward to your ZBrush sculpt..
I'm in the process of fixing the geometry for the overall model, as at the time I consciously had n-gons and holes in it. Thus the model will be in quads (with a few triangles here and there) so I can work with it in Zbrush. In an attempt to make things easier, I will also be importing the model as separate meshes so I can have them as subtools.
For now, I'm getting used to going between the programs and I am working with one of the columns. I fixed its geometry so that there are no n-gons or holes. I've deleted its history, frozen its transformations, and made sure that all of its normals were facing outwards. I also selected the entire object and merged its vertices. However, I'm still getting this strange problem where some of its faces are only visible from the back (inside the column etc).
I am currently in the process of watching tutorials, but I thought I might ask if anyone knew the solution to this problem.
Thanks!
http://www.pixologic.com/zclassroom/homeroom/
Might give you some tips on how to construct this in zbrush faster.
Even though I like my overall model, its geometry needs improvement, as has been pointed out.
Nonetheless I wanted to experiment a little in adding wear to the column, just to see what it was like. Keep in mind these were just quick attempts, I know they are lacking and are a little strange.
Since I'm getting more familiar with topology's importance, I added to the mesh of the column. I know this needs to be subdivided, along with the rest of the model.
Finally, there has been concern over the detail that's actually part of the model. I prefer to model things as much as I reasonably can since I'm not exactly comfortable (at this point) in creating the detail in Photoshop.
Comments appreciated as always. Thanks!
The objects shouldn't be flippied in zbrush when they come in.
I've now started the somewhat laborious process of adding supporting edges to the model so it can be smoothed and allow for a better mesh. I can see now that this is something I should've done from the start... Since using Zbrush is definitely part of my personal process, I additionally try to make sure that there are no holes or n-gons in the model as well. This initially might be a little time-consuming, but I really like the amount of detail I can get with the brushes etc.
I'm going through element by element with the model and fixing the geometry. I've done the geometric pattern above the door.
Subdivided wireframe:
An experiment with adding rust and damage:
Comments as always are greatly appreciated. Thanks.
I take very short strokes with the clay brush on subtract. I usually have the focal shift down low to (around -30). My intensity usually doesn't go above 25 to 30 either. Take the damage in passes and it will come out looking more natural and weathered.
Also start at the lowest subdivision possible. If you crank up the subs and start high, things get too smooth and blurry.
I was away for awhile... I have finished the model in Maya. It has supporting edges etc so it can be smoothed properly. I was experimenting with bringing in parts of the model as seperate tools into Zbrush, then as one whole mesh split using the "group split" command (caused it to crash)... I'll be learning about Maya/Zbrush workflow in a little while. I just wanted to check in, so to speak.
For good measure (perhaps redundantly) here's a shot of the model:
I've started working on the brick walls. Comments?
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Brickwork: This is destroying the view of the doorway as there is too much detail clashing. Try making the wall totally flat and then play with a bottom border of 1x bricks, slightly higher at the corners but keeping away from the door area.
Columns: I think you could lose all those inner columns on both sides leaving just the ones at the far sides of the building, maybe even just 3 columns per side. This would make a pathway around the building and also minimize sculpting.
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Overall, just think of the areas that have the best detail or things that you want to be obvious, then ensure the surrounding detail is very minimal so it pops.
I wouldn't suggest wasting poly's on an interior hole in the brick wall unless you plan on opening the door up for some reason.
and thats coming from a fan of this piece of work whos being following its progress.
Over all the model was amazing until the last update. It really kills the model (I'll side with psychoticprankster)
Either remove these new bricks and work on the old ones you had before, or, you can work on entire model. your pick.
Amazing work again!