are you trying to draw the attention to the rock centerpiece? - i'd remove or tone down significantly the light in the middle double doors/center, and 2nd story room, and consider having your occupants be in another part of the structure, for lighting and contrast. Currently the lights draw my eye first - consider playing with the heights and shapes of the trees on the right, orienting them or changing their shape language/species so they have a leading line to the rock element (or whatever your focal is) They are currently the same height, with pillowy shapes, when they could be used to strengthen your composition - add in some foreground elements into your shots that you can blur with dof - post/railing, veg, roof overhang/hanging lamp, etc - if you can add asymmetry to your structure you can have more options for composition
It might be cool if you clean a little bit the glasses of the cabinet in the second building near the stairs (in the nigh mode video). For a ryokkan, it is a little bit too dirty ahah. By the way I feel that that the reflections on the glasses of the doors are a little bit low res.
I really love the night lighting. Just like in a good movie
Replies
- i'd remove or tone down significantly the light in the middle double doors/center, and 2nd story room, and consider having your occupants be in another part of the structure, for lighting and contrast. Currently the lights draw my eye first
- consider playing with the heights and shapes of the trees on the right, orienting them or changing their shape language/species so they have a leading line to the rock element (or whatever your focal is) They are currently the same height, with pillowy shapes, when they could be used to strengthen your composition
- add in some foreground elements into your shots that you can blur with dof - post/railing, veg, roof overhang/hanging lamp, etc
- if you can add asymmetry to your structure you can have more options for composition