DOOM 3 Fan Art / Homage / Remaster
Greetings folks! This is my fist time posting my work in Polycount. Doom 3 is one of my favourite games. Some people love it, some people
hate it...In my case I´ve got incondicional passion for this title. I
really admire the amazing talent and work that industry artists such as Kenneth Scott, Seneca Menard, Kevin Cloud and Adrian Carmack did
for this game. This is the reason why I decided to do this scene. In
fact, I really wanted to do this project many years ago, but never had
the time neither the energy... But finally, I did it!!
The location of this room is based on one of the first Maintenance Area of the game from Mars City. In terms of Environment Art, I really wanted to keep all my focus on the tipical high-tech industrial and grimy panels, wall sections, props and the overall and charismatic architecture/dark lighting from the Union Aerospace Corp. (UAC)
If you remember the game; geometry poly-count was very low due to the fact that the 80% of meshes were casting real-time shadows, and this, regarding vertex count it was very expensive for that time...
So, in my case, I reinterpretated all these assets again and I modelled and textured everything from scratch, which it has been a huge and meticulous task.
I added a lot of polygonal extrussions and played around with silhouettes and high-fidelity PBR shaders. I had the chance to experiment a lot with Normal Mapping and Parallax Occlusion Map. I used 3dsMax for base high-poly modelling and ZBrush for final detailing. For texturing, I did a basic texturing pass within Substance Painter and final polishing with Photoshop. The whole scene has been rendered with Marmoset 3. I think that It worked pretty well. Hope you like it!
The location of this room is based on one of the first Maintenance Area of the game from Mars City. In terms of Environment Art, I really wanted to keep all my focus on the tipical high-tech industrial and grimy panels, wall sections, props and the overall and charismatic architecture/dark lighting from the Union Aerospace Corp. (UAC)
If you remember the game; geometry poly-count was very low due to the fact that the 80% of meshes were casting real-time shadows, and this, regarding vertex count it was very expensive for that time...
So, in my case, I reinterpretated all these assets again and I modelled and textured everything from scratch, which it has been a huge and meticulous task.
I added a lot of polygonal extrussions and played around with silhouettes and high-fidelity PBR shaders. I had the chance to experiment a lot with Normal Mapping and Parallax Occlusion Map. I used 3dsMax for base high-poly modelling and ZBrush for final detailing. For texturing, I did a basic texturing pass within Substance Painter and final polishing with Photoshop. The whole scene has been rendered with Marmoset 3. I think that It worked pretty well. Hope you like it!
