Two things that should give you a lot of bang for your buck are to work on the walk, and to push the pose where the big thing leans forward menacingly. The walk right now feel like stop-go-stop-go. Make sure it's moving forward continuously. And for the pose where it leans forward, that once of the most important moments of the piece, because the comedy only comes from how different he is at the end compared to how scary we thought he was before. So push that pose, get him way down and close to the camera so he takes up 90% of the screen and looks HUGE.
Replies