Awesome. Your style is fantastic, it's like a fusion of painterly and polished.
I wanted to ask you, in your video it's clear that you make a full size greyscale version and then proceed to colourise it and refine it further. Do you think it's faster this way, making the greyscale version first? Wouldn't it be faster to do it all in colour once?
@RN Idk if it's the same for him but I generally use the greyscale phase for better control on values/tones before moving onto colour... it's considerably harder to get tonal values down with colour, it'll always be a breeze using greyscale. Just some food for thought
@RN Idk if it's the same for him but I generally use the greyscale phase for better control on values/tones before moving onto colour... it's considerably harder to get tonal values down with colour, it'll always be a breeze using greyscale. Just some food for thought
@Kid.in.the.Dark thank you for the advice. I've been looking into using a gradient map adjustment layer and some crazy grouped layer setup so you can paint with black and white (like where light hits or doesn't), and have the adjustment layer make it colourful. I'm doing this after having a lot of trouble painting cloth since there's a lot of complex edges (transitions from hard to soft edges in the same fold), and this should make it easier.
Awesome. Your style is fantastic, it's like a fusion of painterly and polished.
I wanted to ask you, in your video it's clear that you make a full size greyscale version and then proceed to colourise it and refine it further. Do you think it's faster this way, making the greyscale version first? Wouldn't it be faster to do it all in colour once?
It's not necessarily faster, but I am trying to force myself to do a gray scale version of the painting first to try and get the values right, it is easier for me to do it this way because I'm not thinking of color for a while , once you get used to this you can get them done quicker. hope it helped.
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I wanted to ask you, in your video it's clear that you make a full size greyscale version and then proceed to colourise it and refine it further.
Do you think it's faster this way, making the greyscale version first? Wouldn't it be faster to do it all in colour once?
Idk if it's the same for him but I generally use the greyscale phase for better control on values/tones before moving onto colour... it's considerably harder to get tonal values down with colour, it'll always be a breeze using greyscale. Just some food for thought
Great work btw Vando!
I'm doing this after having a lot of trouble painting cloth since there's a lot of complex edges (transitions from hard to soft edges in the same fold), and this should make it easier.