kept the curls for this one... I think I am going to try a colored image of her next. I should definitely practice coloring. I usually just won't try to color it because I am afraid to be disappointed in the end.
I just worked on a colored version. This is the result so far:
A few sketches for today. I really had a hard time with the robots. I am very interested in drawing/painting robots, but I really get frustrated with that. I guess that is because I just don't have any intuition concernig all the engeneering. That's why I did not go into detail with those. If anyone has an advice on how to learn to paint convincing robots please feel free to help me ;-)
I keep trying.
Also I wanted to get more into loose sketches. I always start "perfectioning" a sketch to early instead of roughly getting the silhouette/proportions and bright/dark areas done. Maybe a good way to practice would be drawing with a time limit!?
xD
Thank you, TheNatasha! Nice to get some feedback ;-)
You are absolutely right about the value thing. And about the life studies as well. Good point. It would actually be fun to do some of those again.
Adding more work: I did this one a couple of days ago:
I practiced some landscape painting today. I wanted to do a few short time pieces. I worked about 30 minutes on each of them. It is getting better at least ;-)
I really love the strong grasp of color theory and composition you have in your paintings. Especially your color palette choices - all of the ones I've seen so far have been very eye catching and unique.
I worked on that character concept for the past two days... I really had to force myself to stop working on it, because I already felt, that it suffered under additional effort.
A few master studies to start the day. Nr. 1 and 3: Tibor Nagy, Nr. 2: Lynn Boggess, Nr. 4: Asher Durand
What I learned:
- Paint very loose outside your focal area
- details and constrast in focal area
- you can imitate details by painting random looking small colored patches/dots with high frequency and contrast
Still not very setisfied with these but the main thing is to ask why the artist did certain things and how, so in the end you feel like your knowledge increased...at least a little bit ;-)
Replies
Pretty girl with curly hair 8)
working on the values
I just worked on a colored version. This is the result so far:
I keep trying.
Also I wanted to get more into loose sketches. I always start "perfectioning" a sketch to early instead of roughly getting the silhouette/proportions and bright/dark areas done. Maybe a good way to practice would be drawing with a time limit!?
Else than that I would probably do some life studies. But this shit is still awesome :P
- Would love a kith from le pretty lady with curls xD
Thank you, TheNatasha! Nice to get some feedback ;-)
You are absolutely right about the value thing. And about the life studies as well. Good point. It would actually be fun to do some of those again.
Adding more work: I did this one a couple of days ago:
These are the references I used:
And this is the result so far:
This is a small sketch on paper from today:
I also did a digital, colored version:
here are the references I used:
http://images.fotocommunity.de/bilder/fotomontage/landschaften/alter-niederlaendischer-meister-oel-auf-leinwand-17jhdt-4af4723c-e48c-43cc-b38d-9c724d970d86.jpg
http://www.antik-kuemmel.de/media/Gemaelde%2009.12/eduard%20ockel1.jpg
"head of a young woman", Anthony van Dyck
It is not a perfect copy, but I think I learned a lot especially, when doing the hair.
After receiving a package I got inspired by the postman :P
https://chantalhoreis.artstation.com/
https://www.artstation.com/artist/chantalhoreis
What I learned:
- Paint very loose outside your focal area
- details and constrast in focal area
- you can imitate details by painting random looking small colored patches/dots with high frequency and contrast
Still not very setisfied with these but the main thing is to ask why the artist did certain things and how, so in the end you feel like your knowledge increased...at least a little bit ;-)