ESCAPE - Corporate Assassin - Safemilk(Daniel)
Hey guys, I'm a bit late to enter, but I have a few images and blockouts to put up.
I'm doing a scene that has heavy Deus Ex influences. The idea is that the protagonist has just done some sort of corporate espionage type activities in an office, and a security team breaks in to stop her. She looks as if she is about to surrender... but maybe she isn't. They are too late to stop her anyway...
Here's a blockout, it's very basic, and has placeholder characters:
And here's a little sketch on an envelop... I don't use my mail for it's intended purpose.
And finally, here's a little bit of the reference I've collected as a style guide. I have some zbrush stuff already, so I'll post that soon.
All in all, the biggest problem I'm going to have is the environment, I understand how to approach smaller props like guns, or lamps, and I have a good grasp on characters, but wider stroke stuff like environments always trips me up, so I'm hoping I can learn a few things! Also, I'm hoping for some awesome critiques that make me run to my room and cry aggressively into my pillow, but then wake up the next day ready to apply those critiques.
Thanks guys, and good luck to everyone!
Safemilk
I'm doing a scene that has heavy Deus Ex influences. The idea is that the protagonist has just done some sort of corporate espionage type activities in an office, and a security team breaks in to stop her. She looks as if she is about to surrender... but maybe she isn't. They are too late to stop her anyway...
Here's a blockout, it's very basic, and has placeholder characters:
And here's a little sketch on an envelop... I don't use my mail for it's intended purpose.
And finally, here's a little bit of the reference I've collected as a style guide. I have some zbrush stuff already, so I'll post that soon.
All in all, the biggest problem I'm going to have is the environment, I understand how to approach smaller props like guns, or lamps, and I have a good grasp on characters, but wider stroke stuff like environments always trips me up, so I'm hoping I can learn a few things! Also, I'm hoping for some awesome critiques that make me run to my room and cry aggressively into my pillow, but then wake up the next day ready to apply those critiques.
Thanks guys, and good luck to everyone!
Safemilk
Replies
NOTE: The arms are sculpted after pictures of Adam Jensen's arms from Deus Ex:HR, just to get a feel for it, I will make my own designs for the arms for the final, this is all placeholder for now to get her blocked in, once I get this finished up, I'll retopo and make a much more refined version.
Let me know what you guys think.
Any crits would be awesome.
edit: the original hair suits the original clothing; the recent version of the protagonist has a whole lot of wishbone-shaped curves (shoulders, shirt bottom, vest top, pantleg cross-section) which I think go better with the new hair.
The hair is just placeholder and the face is definitely subject to change.
Thanks again!
Here's the low poly for the security force fellow:
And here's a shot of the scene so far, all the background walls and stuff are going to be re done of course:
And here's an update on the protagonist, man those eyebrows need some work! Her hair, hands, and some of her arms still need to be finished.
Those eyebrows...
For now, I did some work on the security dudes:
The little image I got from the program:
The result:
Not much time left if I understand correctly, so I'll just start fixing up little stuff and see what I can do. Good luck everyone.