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3D Artist Props/ Weapons/ Environments
Hello. My name is Denis Khlebnikov and i'm 3D Artist. Looking for freelance/remote/contract or part-time employment. My portfolio: https://www.artstation.com/dezaiw Skills: -Experience in several AAA projects.-Low poly / High poly modeling. -Hard Surface modeling -Organic modeling -UV Mapping. -Trim,Tile,Decal textures.… -
Help me improve
Here are a couple of my most recent works. I am looking for any feedback that can help me improve, suggestions of areas that need improvement, anything. If you think it sucks tell me and let me know what you think sucks about it. I am trying to hone my skills to eventually be AAA quality, I know I am not there yet but any… -
3D Character Artist looking for new opportunities
Hello everybody! My name is Mikhail, and I am a 3D Character Artist. I'm looking for opportunity to work remotely as a 3D Character Artist. I have 7 years expereince and shipped AAA titles. Feel free to message me to discuss the details. Portfolio https://www.artstation.com/displacedinvader Major skills: Digital Sculpting,… -
Re: Polyhertz's 3dsMax script - 'Quick High-Poly'
The idea of this workflow is that you're creating very complex-looking models that look turbosmoothed without the need to do any time-consuming sub-d modeling. These methods leave a lot of poles, even on clean topo, so it isn't designed for sub-d for that and the reason above. The examples above are all extremely… -
Re: Is making Zbrush characters supposed to be fun?
Defining the game industry by titles with $100m+ budgets is like defining the film industry by the latest Marvel movie. And yet people keep doing it. Whether they're complaining about the lack of innovation in games, lack of diversity, lack of artistic vision, its always the same tunnelvision on AAA titles designed to… -
Re: Environment Art - Share your experiences.
One thing that might surprise and depress you is the amount of outsourcing in Environment art. I have done quite a few jobs where environment artist = outsource manager, fixer of crap assets and scene creator. This is more common than a lot of people let on. One of your first questions at an interview should be "what will… -
Re: Self-study to professional game artist: What do you know now that you wish you knew then?
Thanks. I was doing that initially, but I felt like I needed to learn so much before I was ready to make a game. Probably the problem was that I was wanting to make my dream game, with AAA graphics and all. Haha. What I ought to do is, like you said, find a team looking for help and start contributing that way. I think as… -
Re: What is working freelance like?
It's vastly different depending on how experienced you are, and how reputable you are. Most artists are going to have a vastly different freelance experience than guys like Neox, Warren, who have multiple years of experience, plenty of shipped AAA titles a sterling reputation within the community, and a diverse portfolio.… -
Re: Who to take crits from? and how much should you take?
Criticism is valid from everyone. I feel that the only way to improve as an artist is to constantly have your work scrutinized. Whether that's your mum telling you that your Naruto fanart is shit, right down to a kid in their bedroom telling the world that the environment you worked on in your 10th AAA game is crappy. I'd… -
Re: Do you freelance or work at a studio?
I have always worked in a studio. Though freelance sounds awesome, I just can't imagine being home alone and not around a team environment. I love being part of a team and specifically a great group of character guys. Fortunately, while the games I have worked on were not AAA blockbusters, I have had the pleasure of…
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