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Re: Rage tech/workflow?
Don't worry, I did my reading and watching quite a while ago. I don;'t think you could dig up much about Rage tech that I haven't seen already :) I never said they did not compress, I said they didn't downsize (except for distant background elements). What you can hope for with a dedicated PC release is - less compression… -
Re: Felspar Agaricus: Blunt, Fat, Fungal Hunter, Reluctant Guardian
http://p3d.in/yHx9A/wireonsmooth So I just decided to post in p3D what I got for retopo at this point. A couple of challenges I need help with: - So the body will require fused elements between both symmetrical and asymmetrical elements, and I sepecifically don't want to have floating geos in that area. - Is there any way… -
Re: Thread Removed
In terms of the buildings and architecture, most of what you have is quite 'Even' throughout the scene. Try offsetting some more elements and adding in more groupings of things to follow more of a 70/30 (or whatever you choose) detail ratio. Also go for more odd than even groupings and vary up the surfaces and structures.… -
Re: Dark Souls 2
Habboi: I feel exactly the same way about the NPCs in the game, like I dont care about their story as much as I did in DS1, could be the way that DS2 presented them I duno. In terms of Levels, the most memorable one for me so far is the Cathedral of Blue. DS2 overall feels very mish mash, like they combine several elements… -
Re: [CE3] Spaceballs: The Environment
Hey all, getting off crunch today from work I just wanted to sit and watch the remainder of Breaking Bad but I did think about what to do next with my environment that may connect the theme better. Based off of Jackablade's comment(s) I was thinking about encompassing the scene within a studio setting that means each… -
Re: Passes in max like in Softimage
Max has no render layers system. Only render elements. You could try emulating them with scene states but i've heard nothing but bad things about scene states. The A&D passes are specific to the Arch and design materials. so you control the AO with each materials own settings. TBH i would just use A&D, its a great… -
Re: artist & designer (what is the difference)
its different in each studio. some places, the designer doesnt actually build anything. more of a word guy. types up stuff, goes to meetings and designs the game. talks with others about what the game should look like, game play elements, story overview. that sorda thing. where artists actually do art. in my studio,… -
Re: How would I model this roof?
Here's a quick mock-up I did to show you what I'm thinking: 1 - Model a single rafter element(always using symmetry where suitable to ease the workload) 2 - Duplicate and place 3 - select and detach these faces as a clone. Either flip the normals or create thickness(thickness is better if lighting is exterior or just use… -
Re: Recent Illustrations
Thanks Greg. The library scene was a background for an Alice in Wonderland slot game. There were some additional Alice themed elements in it to bring it to the appropriate level of gaudiness you would expect of a slot background, I took those elements out for my portfolio which admittedly makes it seem kind of random...… -
Re: Blockouts for 3D Environments
Then as others have said, it's both a useful compositional technique and a way of chunking your scene, i.e. finding elements that repeat, are unique and could help prefab your scene. Our concept artists will create (or use existing) blockouts and overdraw them to visualise the scene. Without game play messing things up,…
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