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Re: Costume/Clothing Design.: Where to Begin
A concept artist can't convey the final texture and with normal maps and with the levels of shader interplay, more so. Like silk versus burlap. That squarely falls into the lap of the modeler/texturer correct? It wont help significantly, no. But knowing such with the ability to reflect in your characters can't hurt. Should… -
Re: The Quest for Zbrush
Its nice seeing you tackling characters for a change. Character modeling is a different animal than environments. Just like you have to think about the history of an object to pull it off convincingly for environments, you have to think of underlying anatomy with characters to nail them. RIght now I cant see what kind of… -
Re: Velan studios saga
"How can a job be entry level if you're expected to already have up to half a decade's experience?" As always with language, it's good to not attempt to squeeze ones' own guesses into what a loose label may mean. It's perfectly possible that they are looking for both senior people (demonstrating high art skills as well as… -
Re: Need your feedback
A key thing to likeness is a right proportions and a general scull shape. You don't need expensive multi camera rigs for that . Just 10-15 photos within 90 deg sector of a face and a person seating more or less still. The mesh may came noisy but would still have perfect likeness. A key would be just not to spoil it during… -
Sketchbook: Sarastewartwork
Well hello there! I'm Sara and I'm currently studying Medical Illustration. I want to get some advice from you talented artists as well as push myself to do a better job of documenting my progress. This in turn could also help me draw more in my spare time. Looking forward to starting a dialectic with you guys and thanks… -
Re: [FINISHED] Snow Forest
I might echo teo on the story bit. I didn't notice the skulls or the hut until after looking at the image for a while. If you want the viewer to see those things as focal points, you're going to need to use contrast, lighting, shadows to draw their eye in. The path will help that, but right now the shadows are obscuring… -
Re: Low poly hand painted sword
@Shad0wForce I like how you make the texture, but i would like to see more dirt, and the skull has a lot of the blue light. but i love the concept. i love how you make the skull don't get me wrong, "i can't do not even a face", and the texture is really good. but my only question is, is thise sword for a game like WoW?… -
Re: Female face critique needed.
The first thing you want to do is really understand what is going on underneath the skin. Whenever I see someone sculpt heads early in their career, they just skip the basic structure and try to make a good looking face. overlay a skull on top of your image from several angles...does it fit? Look up facial muscles and fat… -
Re: Portrait of innocence
I agree to what philistine said, though this could of course well be part of the lighting situation. You've done a very great job here, though its really hard on the edge to creepy uncanny valley, which is the hardest thing to pass when doing realistic 3d characters. However i think there a couple of things you might… -
Re: WIP-Generic Female Head model
Well, the head is looking rather flat. There is a total lack of bone structure underneath the skin which makes the piece look boneless with a bad silhouette. The human face is 70% defined by the underlying structure - the skull, then fat deposits and lastly individual features. The first thing you should do is study facial…
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