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Re: Remember these days?
Activision gave us their vehicle real-time models/textures, plus some storyboards and character sheets. We created the environments and character models in 3ds4 DOS (before it was in Windows, before 3ds Max). Flat shading and mostly solid colors, anti-aliasing turned off IIRC. Pretty easy really. Animated and rendered in… -
Re: Unwraping Complex Hard Surfaces
I would make sure every seperate shell was a single UV shell, thus reducing vertex transform costs by quite a bit.... unless it was normal mapped from high but probably not for a shape like this, then i would put of the similar (exactly the same) peices over the top of each other. for the rings i would stitch each section… -
Re: Bruges, Belgium Environment
Thanks for the feedback. I probably asked lighting questions too early on in the project. I'm going to go ahead and get all the models built and textured and in unreal before I focus on the lighting. Vertex guy, I plan to add alpha planes with grunge on them to the buildings later. Also I'll keep adding models where areas… -
Re: Rogue Agent in game heads
Excellent work, especially for such a short timeframe. Famke's face texture (maybe it's the vertex lighting doing it) looks a bit splotchy in places, not as smooth as it could have been, but still nice. All the characters are very recognisable, which is good. I agree the Bond guy looks more like Brosnan than any other Bond… -
Re: Apex Clothing Tutorial
Yeah no problem :D Make sure you get the Apex Clothing plug-in for 3ds Max or Maya from https://developer.nvidia.com/apex-clothing 1. Started out with just a flat vertical plane in 3ds max with the width of the curtain being a little bigger than what I intend in the end. (That'll make more sense later) Green line shows how… -
Re: Automatically reducing Overdraw?
I actually happen to be working on something like this... But its an Unreal tool. You give it an opacity map and it returns a convex or concave hull of the shape based on a user set vertex count. Similarly to the particle cutout feature.There are several limitations of the tech I'm currently using though. Also, I need to… -
Re: Sketchbook: Artofcharly
https://www.youtube.com/watch?reload=9&v=FCwDoAqFLtk Hair for games in Unreal Engine 4. You can buy this project in my Artstation shop. https://www.artstation.com/marketplace/p/vjan/hair-for-games-unreal-engine-4-project-1 References - https://vk.com/album-139815907_243822311 Haircards was created with Ornatrix. Textures… -
Re: (Finished) Alley [Unreal Engine]
I created the materials for the walls in Substance Designer using an instance with a different color for the right side. The light in the Unreal scene is still temporary. I used Vertex Color for the first time on the dark walls using an albedo map with dirt I also created in Substance Designer. (Still need to do the same… -
Re: Still Trying to Finish ArtStation's T.L.O.K.A. Challenge
Since last time I posted an update, I textured the cave ceiling, made some stalactites, started vertex painting, worked on the lighting, learned how to create a volumetric cloud particle system, tested out my lantern statue, and then threw out the lantern meshes. I didn't like the shadows the block-out lantern was casting,… -
Re: [WIP] [UE4] Victorian Alleyway
Definitely! I think I'll tackle the dirtiness with vertex painting/decals, that way my modular stuff can be varied up a bit. Had a day and a half off from moving, so I was able to get the main trim texture for the scene through a first pass! I tried to get as much variety in there as I could, so it can be used almost…
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