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Re: 1914 Assassin- Unreal 3 University project
Love the idea, but I think your concept needs work. If you look at previous assassin characters in the series that all have some kind of robe that they wear: Altair and Ezio standard outfits Ezio Drachen Armour Ezio's More Medieval Outfit The Armour of Brutus What's the 1914 analogy of this? The greatcoat, of course:… -
Re: Motivational Problem
most people look at the world/taking action as this : Feelings > Actions > Descisions example: I feel tired/unmotivated today, so im going to play video games instead and decide to work on my art tomorrow. This leads to a bad habit of not getting shit done, and downward spiraling into depression/not working. The 5% of most… -
Re: [texturing] What is happening here! /o\
There is a common saying here on PC and everyone will agree to it. "USE THE REFERENCE." <.< That applies to the texture as well. For example: If you are creating a rock, and you have unwrapped it. Use the real life rock and see how you are implementing texture. =\ Creating a rock is very basic so I suggest you should… -
Re: How are complex models UV unwrapped and materials applied?
You can do either method depending on your needs. I think for this asset the stand, camera, and lens are each different materials with their own unique UV maps. An example where you would make a bunch of different models but UV map them to the same 0-1 space would be food or something. Each piece of food would be its own… -
Re: Need Direction/Help/ Advice Modeling a Car
Is the entire body one solid object? If so, never do that. You're setting yourself up for a world of hurt. The wireframe will become a real mess, it becomes increasingly harder to add and/or change things as the mesh gets more complex. Cut the vehicle into pieces, one model for the front body, one for the back, one for the… -
Re: Tutorial - Gradient Mapping & UDK
The only issue with procedurally gradient mapping in udk atm is the number of lerps you'd wind up putting in for more than a single color change. if you want a 2 color "gradient node" just make 2 color constants and lerp between them with the alpha being whatever your were gradienting over. You could do it in a custom node… -
Re: Questions on Headus UVLayout
I bought the professional a few years ago but I haven't upgraded in those years either as nothing was inspiring for me to update. There is a discrepancy between Maya and UV Layout with regards to stretching and bunching on your UV, I wish that line was very narrow so that when I UV in UV Layout and bring it to Maya UV… -
Re: 3D Head Texture Help
@Sozril Mmm...for me that image has a lot of highlights that can come great for making the specular/roughtness map but as a diffuse it won´t work. The diffuse needs to be as flat as posible with minimal shading if you are aiming at a realistic result, if you´re going to a more handdraw/stylized it´s totally okay to have… -
Re: [Portolio] - Nate Castronovo, 2D/3D/Conceptual Artist
One thing looking at your portfolio I think your textures could use some work. For example the art deco scene, there is hardly any contrast and my eyes instantly get drawn towards the trees first which I don't think was your intention. I would suggest giving the textures some variation and a bit more detail as they seem… -
Re: Solve the problem of my portfolio
All the above comments are extremely valid, to add to the topic. - You really need to ditch your resume format, K.I.S.S applies greatly here since it's used for quick reference, right now it reads like an essay and it will definitely annoy employers looking for quick info like your schooling for example. - Your Personal…
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