I am taking my final major class and I am starting my indep study project this summer to get a bit of a jump on it. HOPEFULLY I will get the project 80% done [that is my goal, realistic or not] before I meet with my prof for the first class. The reason I want to get most of it done is because my prof isn't qualified at all…
I think in general the advice about old work hinges on evolving "taste" and overall eye for quality. As one progresses and learns more overtime they realize that their old art is not up to par any more in their eyes (sure at the time it appeared as the best art piece ever, but now several years later they realize that…
Small update here :) After some feedback, I have pushed the damage more with some decals and got rid of the grey vertex paint layer. After looking at more references of these kinds of buildings, I noticed more major damages where you can see the concrete mix underneath to be towards the base and revealing more of what's…
Most character artists that can do props just put it on the resume and leave it out of the portfolio. Or you could put all the props in one "collection of props" image. The focus should be 95% Character art, you don't want to seem unfocused or indecisive.
Got a million more things to do, but it's still going strong! Still flat textures, flat materials, no light meshes/props, auto UV's, and blocked-out props Trying to nail the structural elements of the room/deck before I move on to prop and material work.
Just delete the extra bone. You only have to link the bone to the object through the skin modifier if it's a single bone. The physics mesh should use the same bone as the in game one. If the bones are what's causing trouble, you can just not use any bones and remove the line $keyvalues { prop_data { "base" "cloth.Small" }…
Thank you for your feedback. The environment is far from complete...You are right, in the first picture I have taken into account all the things you mentioned (rule of thirds, natural vignette etc). The second pic is because I need some feedback on the silhouette and texture of the tree. I have already some vfx for leaves…
I would suggest picking a prop and focus entirely on recreating that prop to the best of you ability. Make it a prop with plenty of reference. You need to train your eye to see details that your not used to looking at. I did this when I first started out and it help me tremendously.
Hi Guys, I haven't found anything on this yet in the forums, so I was thinking I might post it. I'm currently working on my final project for my Bachelor and I have run into a problem... on the UE Aks Forum thingy nobody answers, so I thought I might ask here since you guys are a lot more active. Now to the Problem: I have…
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