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(URGENT) Huge visual gap between viewport & ingame (saturation & lighting)
Hi, I have a project I want to put in my portfolio for today, and I've been wanting to render it out. Problem is, whenever I chose: play from here in viewport (so I can use the tiledshot command to save a screenshot), I get a very different look than what I see in the viewport, the colors are all wrong and the bloom is… -
Re: Term 1 - Development Projects Progress
Hello Everyone! This Week's Update. I have added a few more elements to my composition blockout in UE5.7 to push the layout and overall feel a bit further. After that, I jumped into the main centerpiece of the scene, the gothic house. I am building it using a modular workflow, or at least as close to modular as I could… -
Re: What Are You Working On? 2014 Edition
Dat Terrain! Sweet environment man :D Think that the cows could be simpler more geometrical, and the ship might need some a more clear design (maybe a few more polys if it should be round) - and maybe a less saturated color on it to go with the rest. + maybe some red lights instead of green to work with the red "beam"… -
Re: [UE4] Last Bastion
Lighting, more assets and new scene update! This week I have spent a lot of time refining the amount of assets I currently have/need for the pack together with some additional extra's that could be nice (adding them on the fly), they might just be a temporary thing, only time will tell! :D I was also thinking about adding… -
Re: Weapon Shop Demo Reel Project
[ QUOTE ] Jk my model is actually one water tight mesh, would it still have vertex lighting issues? The main reason I did that was to make a point, about how such a high polycount to make this model wasn't needed to model almost everything. [/ QUOTE ] The vertex lightning problem I ment is more or less unrelated to the… -
Re: The Attic (WIP)
I agree about not making it boring and using the scene to tell a story, but I disagree about the lighting I think you're breaking several rules of dramatic lighting. 1) You have a pretty strong light behind the camera. This hides all shadows behind the objects in areas that aren't visible to the camera, which destroys a… -
Re: WIP Desert Environment
adam, Thank you...I wasn't even thinking about doing the occlusion pass, but I do know how to do it and I think your right on the money that this would bring out detail big time. Yeah I haven't sorted out how to approach the shadows...need to look at some nighttime reference and see how the moon casts shadows. Your right I… -
Re: Is there a way to determine the accurate texture from any photo precisely?
@musashidan And that needs to change. There should be a way this can be decoded. So what about textures u need to take in a subway underground or dark place. A way to decode the exposure of the photo, calculate the light intensity as well as the original color of each surface. I don't know.Maybe there would be something of… -
EA Sports in Burnaby, BC Looking for Environment Artists and Lighters
The environment artist position has been filled. However the following is still available. Requisition Number 54204. Position Title: Lighter (Temporary) Position Overview Lighters add the lighting to games that creates atmosphere and adds realism, tone, and depth to a scene, Through the use of their craft, Lighters create… -
Re: [Portfolio] roboy - Environment artist
Firstly, thanks for the feedback - it's much appreciated! :) ladyknowles: I was initially going to make a sword in the stone kind of setting for the foliage scene but after creating all the assets and the lack of time I had after work, I decided to just leave it like that... I think I'll go back to the idea and add…
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