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Re: UT2004 Polygon limit.
Read up on the specs at www.unrealtechnologies.com Unreal Engine for 2003/4 doesn't have a hard-coded limit on polygons and bones, and 4 weight limit per vertex. I'd shoot for 4,000-5,000 if you want to be cutting edge and still keep the game playable. You could probably have more fun applying complex shaders, sync'd sound… -
Re: new sculpt
Beautiful! Looks very cool and the details are great! The 4 arms looking off like the musculature wont really work that way, normally a lot of the musculature at the torso is used for the arms and with 4 arms it gets hard. Maybe you could make the front arms smaller and but more musculature at the side of the torso, you… -
Re: Pandora closed entirely outside USA
I've been using Last.fm now for months since the Pandora broadcasting issues started. The music industry had some serious isses. What about Sony finally deciding to make it 4 for 4 of the big companies and ditch DRM - but instad have brought in a scheme where you have to visit a PHYSICAL SHOP, buy a voucher for the… -
[Finish] Nameless Agent
Gey there I am trilled to show you this piece I had been working on the past 4 months. I had the pleasure of working on this amazing piece from Rashed AlAkroka https://www.artstation.com/artwork/d0Q6eA This is a result of a 4-month CGMA online course with Peter Zoppi as mentor. Through his expert guidance and mentorship, I… -
Re: [WIP] Transport Miniverse
ah technically you could do that by stacking LERP nodes together. the more points you want the more complicated it gets. but it is doable basically you lerp, color one and two between two points, then lerp the resulting ramp with color 3, that with 4 etc. here is an example for 4 colors and adjustability for 3 gradient… -
3D Stylized Environment Artist/Prop Artist (Freelance/Contract/Full-time work) [AVAILABLE]
Hello! I am Alessandra a 3D Environment Artist with a focus on Stylized Art. I've worked in the games industry as a 3D Environment Artist for over 4 years, mostly working on games in Unreal Engine. Although I focus on Stylized artwork, I can also work in semi-realistic environments. I am available for a Full-time or… -
Re: Free Epic Lewtz! Six swords
So the main crit so far is more variation between the swords? I can agree that 1, 4, 5, 6 are the strongest in diversity and that 2 and 3 (from transitioning between 1 and 4 respectively) need work. I will definitely keep that in mind. As for them being reminiscent of WoW weapons, one extra thing I tried to take a stab at… -
Re: Game asset workflow
There's an amazing tutorial series called Environment Creation In Unreal Engine 4. You can find it here: https://www.uartsy.com/course/environment-creation-in-unreal-engine-4 I believe you can also purchase and download the series online. It goes through asset creation, preparing for level design, and of course in relation… -
Re: FJTools - ZBrush plugin
Hey, I was thinking about an feature which can be called "Magic Mesh". Its purpose will be to make Copies of original mesh on unmasked "Original Mesh" area where user can have "4 option to check", 1) X axis, 2) Y axis, 3) Z axis 4) Random Rotations. Other option for this feature can : Copies Count, Aligned to points or… -
Re: Gradient Ramp color cycle
Nice! well this gave me an idea and I tried it out but failed. For the red blue and yellow texture we tried to recreate, its actually using 4 colors as follows, blue to red to blue to yellow. Here's the same gradient but with 4 different colors: green, black, red, blue to help understand what's going on visualy. and here…
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