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Character Artist seeking work
Hi all, I'm a 3D artist from London currently studying traditional art and looking for any work in Character art - offering good, indie-friendly rates (I can also do props if need be. :) ) Currently looking for paid work rather than royalties, etc. If you'd like to view some of my work, please do so at:… -
Dedicated Character/Creature artist seeking work
Hi all, I'm a 3D artist from London currently studying traditional art and looking for any work in Character art - offering good, indie-friendly rates (I can also do props if need be. :) ) Currently looking for paid work rather than royalties, etc. If you'd like to view some of my work, please do so at:… -
Re: Sketchbook: AdamBrome
Details: Well, first pass on all the props is finally done. Each of the two rendered shot's were done in Max, which won't be the rendering tool we use for the final frames but I wanted to do something to show them lit. The way the pictures are divided, is each picture contains all the props that were using the same texture… -
The Bi-Monthly Environment Art Challenge | July - August (91)
Hey everyone! Welcome to the 91st edition of the Bi-Monthly Environment Art Challenge for the months of July and August! This challenge is a way for real-time 3D artists to test their skills and create a piece of work based on concepts provided. It's open to those of all skill levels and we do our best to provide… -
Re: 3ds max biped: drawing a sword?
It really depends on what this is for. When you're working with an engine and you start talking about switching parents then you almost always need some kind of engine code handling the transition. So basically there are three ways to handle this (that I can think of, off the top of my head). 1) Biped Prop Bone Add a prop… -
Re: John Ehresmann - Portfolio Critique/Feedback
John I'd echo what Nosslak said. Right now you aren't showing mastery of anything really. Just going through the motions. I would focus on the art itself and telling a story through the environment. I see too many Artists just focusing on the asset/environment creation and not enough Artists focusing on the story and… -
Re: Online courses with mentors - are they worth it?
@Biomag The thing is: I had portfolio on artstation, there were two detailed props made for subdiv (hard-surface mostly). After I done those two things I got a job in 3d industry as a prop / environment artist. The job was meh - I was given the task to create levels and fill them with already existed props and create props… -
Zbrush mesh extraction prob
Hello , since I am new to Zbrush and learning here another prob... I made those boots , and I realized that it's hard to work on the strings if are a part of the model , so I decided to figure out a way to work on them apart and I get to the extract mesh in the subtool ... I so extract the selected masked faces ( dunno why… -
Re: Deadspace Door
I should have chimed in, I really like the first environment in the set of four above, it looks great. You should be allowed to include it in your portfolio if you include a credit somewhere saying you didn't make any of the other assets, and it's a free demo scene from UE4. Eventually, hopefully, you can just plop your… -
Re: [CE3] Fantasy tavern interior
Update: I focused mainly on ligthing settings and added one prop (garlic), although after your suggestions guys I defintly will add more propes later. Sandbox cloud really use something like PostProcess Volume, as the interior settings completly destroyed my exterior look (not a problem here but might be in future).…
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