I'd definitely look into creating some work samples to the best of your ability with whatever approach you feel most comfortable with and then seek out critique and mentorship from a senior artist (preferably in the studio you want to join) The resources from Amir Satvat in this topic,…
Hi @rima are you still doing Scott Eatons anatomy for artists course? How has it been working for you? Anatomy is difficult to get right. My philosophy is while it is certainly useful to get skilled at creating anatomy, maybe its best just to get used to sculpting to a point where you can see and compare differences…
Its better to look at it as a bridge to cross when you come to it. Also this approach is something I've seen more in corporates since their focus is profitablity with high turn over to reduce cost. There's a lot of incentive to enterprise. Might interest you to read this post I shared with articles by Dennis Detwiller on…