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Re: [UE4] Air Capsule Crash Site
Hi Robert, thanks for the comment :) I totally agree with you that scene need to be more clear on what happened there. I'm now working on damaged parts of the capsule, trying different variations on torn parts of metal. I like the idea of dense skeleton under metal shell, but making this as geometry is too heavy on tris… -
Re: [Final] Fine Things - British Wood and Iron
Hopefully Relic can advise about splitting further to reduce filesize. I am just speculating here, but I bet they can receive a skin pack split into 8 parts (even though some of those parts would then be incomplete and not good to play with) and regroup them down to the usual 6 or however many they need to. After all, the… -
Re: Gnutmi's learning path
Hey again. I dont want to start a new thread every time have a question, so I will just expand this one instead. As i mentioned before I started a lil project on my own. Its a Blaisoid gun that can improve my skills on. This is what ive got so far. My dilemma is the the part that I marked with the red circles on the… -
Re: How to go about texturing this type of building?
I am not an expert, but if it was me, I'll put the roofs parts and the white walls to an UV project, the wood parts in an other one and finaly all the details and the transparant ones in a last uv. That may sound simple, but I found that way more adaptable and it offer more space in the uvs project to get more pixels for… -
Re: [WIP] Prop Model: Spell Book
Cool project! I'd think about what parts you can reuse so you can only the work once. For instance, the hinges, possibly the keys, the hands, the pins/tacks/round attachment thingys. If you use the same parts up until near the end, it can save a lot of work :) I'd make the parts slightly different once almost done :) Also,… -
Re: Hardest boss fights
You really shouldn't play Gears on higher difficulties with AI; Co-op is the way to go. And you made me remember the construction crane part from gears 2. That was the most annoying part in both games combined. Me and my buddy tried it for almost an hour (it should take 2 minutes on easy). Basically you're on this platform… -
Re: 3dsMax using ambient occlusion to determine how a surface recieves light.
So you want some areas that don't respond to any light and don't cast shadows? Why not have the whole thing with bits you want lit and don't want lit as one object, and make the bits you don't want lit or casting shadows as transparent. Then, have a second object that doesn't cast shadows and is unlit, as the parts you… -
Re: [WIP]Barrett XM109 20MM
Hi, i like ur scope. Its some kind of heavy and bulky, especially the front part, but its a nice start. Hope u will post some updates :) I would suggest u change the screw. U createt a whithworth-screw, but it is only for pipes. Additionaly a whithworth-screw is a bit conical. Normally u combine the parts with a… -
Re: The Throne Room - Handheld Environment
hey yuke, i think you are on your way. I aggree with Paroxum with the idea of your focus. I belive something that will really help is in your textures bring the contrast down and bring them towards your midlevel. for example, the wall behind the thrown the bricks should be similar in contrast rather than black or white.… -
Re: UV unwrapping issue with Blender-xNormal workflow
What do your high-poly and low-poly meshes look like? If you have a high-poly mesh that corresponds to your tilable texture, and if your tilable texture is planar enough, you could just bake the normals for that part of the high-poly mesh to a plane that's UV-mapped to that part of UV space. Or, just duplicate and separate…
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