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Lack of Bounce Lighting
Hi guys, im currently setting up some blockout and first pass lighting for a small scene im working on, althouugh this is a night time scene i feel like im not getting the amount of bounce lighting from GI id like. Im under the impression its standard to set all materials to 18% mid grey value to begin with before i get in… -
Oriental Style Game Level; WIP
Hello all, I thought I'd make my first post and ask for some critique and feedback as I work on the assets for this level. A friend from school and I are working on the project together to create a few examples for our portfolios, but everything I'll be posting will be the assets I'm working on. A little background about… -
3d Prop Artist / Enviroment Artist looking job
Hello! My name is Alex, and I’m a 3D artist with over ten years of experience in computer graphics. Throughout my journey, I have honed my skills in lighting setup, PBR material creation, rendering, and modeling. My professional background includes working on several blockbuster projects at the visual effects studio… -
Re: Basic Standard for Character Art?
Hi! Check out current games, pick characters you like and inspect them thoroughly. Also look for sample characters available for game engines (paragon, adam). Creating characters for games involves much more steps then just sculpting: Concept/Design, Blockout, Sculpting, Subcategories: Hair/Fur/Fuzz, Clothes, Props,… -
Re: Art Station FV portfolio review
Thank you for the post. I've had scenes on my mind for a long time but I prioritized getting greater at props for the time being before jumping the gun too soon to environments. I do have some ideas, yet are no matching prototypes / concept arts I found to to this date that replicate them, I only have the scene vision "in… -
Re: Hellhound Process - Junior work
Hi! :) Piece wasn't working with slender vibe and a tail. I'm a really big fan of sabertooth tiger-esque anatomy. So I went that route. The first two below this comment are the most recent iterations. Third image was a low poly blockout of what it will look like with its spines (more or less). I'm an idiot and went for my… -
Re: Car Modelling Workflow?
A good practice when modeling cars is to make the whole surface of the car as one piece at first, without cutting the body panels. First you'd want to have a low poly blockout with clean topology, but no subdivision so that you can see all the shapes of the car and can modify the proportions easily if something feels off.… -
Re: Any modelers learning animation?
I'm fine with mechanical animations and moving objects around more or less convincingly ... but skeletal character animation? Yeah i too find it a total bollock. In prototyping, which we do a lot of, there's no money for an actual animator so i'm having to do the lot, and i just haven't put in the hours to be even close to… -
Re: PETROL/BLOOD Mike8917
So after searching the interwebs a bit more, I've finally settled on the forklift that I'd like to base mine around. The clark omega 12-tonne forklift :D (apologies for the dodgy cropping job) I really like this one. Larger than the usual forklifts, but not too large, and it looks nice and beasty from the front.… -
Re: Good pipeline? (from model to texture to ringing or VFX) (Cinematic characters)
Hey mate, Yeah you can start in Maya, you can also start in zBrush and then do a retopo, but if you're sure about your blockout, just do the UV first in Maya and then import it in zBrush and start sculpting. Personally I rather do everything in zBrush, then I do a retopo and uv in Maya and reproject my detail in zBrush,…
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