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NIGHTBORNE — A Neill Blomkamp Sci-Fi Film. Fully AI (4K)

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Hi

Barley Studios is an Ai film studio from director Neill Blomkamp. He says he now wants to make a full feature in this format.

https://youtu.be/8Wbtt2JxP7g?si=3bd8ynHtugL1xUT4 

I even went to his Twitter account to check whether it was legitimate.  https://x.com/NeillBlomkamp


Here is a review by Matt Workman - https://x.com/mattworkman/status/2079353928135712845


There are definitely some impressive shots here and there, the opening scenes of London are stunning, and some of the helicopter shots are genuinely impressive. But something about the editing feels off. It's hard to put my finger on it, but my brain almost feels exhausted trying to work out why the human characters seem to lack energy, vigour, or vitality, do you know what I mean? There is also the lack of lens effects, depth of field, everything is too sharp. I wish he was making District 10, I loved that film. 

Anyway, I thought some of you might find it interesting.

 


 


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  • JaySanchez
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    JaySanchez polycounter lvl 7
    funny that the thesis of the video is the cruelty of using tech to dehumanize, well, people, removing everything that gets in the way of getting a product... while Mr. B is using a tech to remove as many people from production as possible, as well as all the craft people brings to a movie, to get a product out. 


    man, I miss the rebel and kinda punk Neil from decades past. 


  • littleclaude
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    littleclaude polycount lvl 666

    The more you look, the more you notice it getting things wrong. 

    I'm surprised that someone of his calibre didn't spot the morphing bike that goes under the bus right in the middle of the screen during the opening shot! Thats a simple fix, come on! Also, we drive on the correct side of the road here in the UK - the left. 🙂






  • zetheros
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    zetheros insane polycounter
    don't worry, in a few years AI will finally get everything right and then we'll be out of jobs
  • sacboi
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    sacboi grand marshal polycounter
    hah, those London cabs are a dead giveaway for an ai hallucinating traffic flow on the wrong side although road markings seem to indicate otherwise - fecking slop in all it's glory
  • Benjammin
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    Benjammin interpolator
    Weird. We're in an era now where film studios will release fake behind the scenes footage to pretend they only used practical FX (Barbie, Mission Impossible franchise), or deliberately use practical FX that are inferior to CGI (Oppenheimer). At the same time, this sort of thing, where the viewer knows for certain that cameras weren't used at all. There's no suspension of disbelief if you know its AI - you're just watching for the mistakes and hallucinations. 



  • stray
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    stray greentooth
    This one is hard to dissect.
    Putting important things like the price and consequences of this "pipeline" aside, what exactly is so bad about it?
    If we take away tech issues like hallucinations and broken sharpness filter, because those can be fixed eventually, would it make any difference?
    If you pretend for a second that it was not made with AI, would it improve the perceived quality of the work?
    Is it all look so weird because of technology or director's vision?

    Those of his movies I watched looked good, though, must admit, simply not to my taste. Still, they had certain "charm" and it seemed to be centered on the characters/actors who carry the work with emotional performance. This doesn't have any anchor, any pull. Just people talking and stuff happening.

    This gives me the same impression as any other AI videos so far: like the prompter was so impressed with sheer tech capabilities, they forgot to put effort into the movie as a whole. And if they really made an effort and think this was good enough, then I have to question their taste as experienced professional.
    If this was supposed to be proof-of-concept, I'm not sure what it proves. The tech is impressive, but everything else is not. Is it the fault of the "tool" or the artist? Would it be better if someone else made it?

    Naturally it's just an opinion of a mere consumer: my dislike may be simply a matter of taste in movies and heavy bias against questionable tool.
    Still, if this is the future, than I'd rather stick with those who are going to be "left behind".
  • kanga
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    kanga polycount lvl 666
    Hmmmm, a little bit over the top stuff (steel teeth, fingernails and carcas munching) the rest was pretty darn good. As far as the military deploying this technology, very believable, and a nice tip of the hat to morality. I hate the stolen material, hype and data centres but, pretty good short nonetheless.
  • sarayel
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    sarayel polycounter lvl 17

    Benjammin said:
    Weird. We're in an era now where film studios will release fake behind the scenes footage to pretend they only used practical FX (Barbie, Mission Impossible franchise), or deliberately use practical FX that are inferior to CGI (Oppenheimer). At the same time, this sort of thing, where the viewer knows for certain that cameras weren't used at all. There's no suspension of disbelief if you know its AI - you're just watching for the mistakes and hallucinations. 




    And on first AI mistake you associate the value of it at zero. Since all they did was "prompting" till it clicks. Which it was not this at this level of coherency scene to scene. t2i can't make that coherent image just by prompting alone. In this case most probably complex setup in comfy and not at all text2Image. Practical does look worse but is associated with "high efford" thus "have value" for consumer. When viewer looks at practical FX and sees the usual quirks and thinks of it. Aha! they did a lot!. After many years i learned that there is no universal "good" for visuals. Certain of my clients wanted something that would not be accepted here as good at all ;). But had value for them specifically
  • Noth
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    Noth polycounter lvl 17
    feels kind of sterile, not really sure why but something about it makes me want to distance myself from it, aside from some of the questionable design decisions (metal tooth zombie is just lame imo) there's a general aesthetic that's a bit too much for me. I remember a few years back after not having watched television in about 10 years, I was at someone's house and they had 4k commercials playing extra loud. It's sort of like that, I felt assaulted there, this has that quality to it too.
  • Benjammin
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    Benjammin interpolator
    sarayel said:And on first AI mistake you associate the value of it at zero. Since all they did was "prompting" till it clicks. Which it was not this at this level of coherency scene to scene. t2i can't make that coherent image just by prompting alone. In this case most probably complex setup in comfy and not at all text2Image. Practical does look worse but is associated with "high efford" thus "have value" for consumer. When viewer looks at practical FX and sees the usual quirks and thinks of it. Aha! they did a lot!. After many years i learned that there is no universal "good" for visuals. Certain of my clients wanted something that would not be accepted here as good at all ;). But had value for them specifically
    There's something about watching a film that's akin to watching a magician. The audience knows that magic isn't real, but is willing to suspend its disbelief because its enjoyable to do so. This short film was like watching a stage magician with no showmanship or stage presence who messed up the most basic tricks. 
    I totally take your point that practical is often better, but the petrol bomb that was supposed to be an atomic blast in Oppenheimer immediately ruined the film for me. 

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